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| GREAT🛈 | ||
| 16' | Bourdon🛈 | |
| 8' | Open Diapason🛈 | |
| 8' | Dulciana🛈 | |
| 8' | Melodia🛈 | |
| 4' | Octave🛈 | |
| 3' | Twelfth🛈 | |
| 2' | Fifteenth🛈 | |
| IV | Mixture🛈 | |
| 8' | Trumpet🛈 |
| SWELL🛈 | ||
| 8' | Open Diapason🛈 | |
| 8' | Viola🛈 | |
| 8' | Stopped Diapason🛈 | |
| 4' | Violina🛈 | |
| 4' | Flauto Traverso🛈 | |
| 2' | Flautino🛈 | |
| 8' | Cornopean🛈 | |
| 8' | Oboe🛈 | |
| 8' | Bassoon🛈 | |
| Tremulo🛈 |
| PEDAL🛈 | ||
| 16' | Open Diapason🛈 | |
| 16' | Bourdon🛈 | |
| 8' | Violoncello🛈 | |
| Bellows Signal |
| COUPLERS | ||
| Manual Coupler🛈 | ||
| I M to Ped | ||
| II M to Ped |
| UNLABELED PEDALS | ||
| Great Piano | ||
| Great Forte |
Originally Written/Published: 1978
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Updated through online information from Kevin Durkin.
Updated through on-line information from James R. Stettner. -- 3-sectional Gothic walnut case front with 23 facade pipes arranged: 7-9-7. Case has since been painted grey. Original hitch-down Swell mechanism at the right has since been replaced by a central, balanced shoe. Swell over Great. Pedal 16' Open Diapason at the rear. Pedal 16' Bourdon and 8' V'cello on diatonic slider chests at each side. Beginning composition of Great IV Mixture: 19-22-26-29. It breaks back at every c. Swell 8' Cornopean is harmonic.
On-line update from Eric Anderson -- In daily use as of august, 2005
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