Syracuse, New York, 1872.
Established by H. N. Goodman in Syracuse, New York, 1872; firm acquired by James C. Mix and James Terwilliger; combination reed and pipe organs.
Horatio N. Goodman invented the cabinet pipe organ around 1870. This instrument was not a pipe organ but a reed organ with tubes appended to the reed mechanism to create a sound more like that of a pipe organ by increasing the instrument-s resonance. The instruments were constructed under license from Goodman from 1870 on by Redington & Co. in Syracuse, New York. John C.O. Redington was a Civil War colonel who had operated a music-publishing and retailing business in Syracuse as Redington & Howe in 1868 and then as Clemens & Redington in 1869. Redington & Co. became the Cabinet Pipe Organ Company in 1872 when James Terwilliger, clerk of the New York State Senate, and James C. Mix, managing agent for New York State for the Aetna Life Insurance Company of Hartford, Connecticut, purchased the stock. Syracuse city directories listed Goodman as the superintendent of the factory.
The cabinet pipe organ was exhibited at fairs and was widely advertised, but publicity and production stopped in mid-1876. Terwilliger and Mix filed for insolvency and, on September 29, 1876, obtained an order from the Supreme Court of the State of New York requiring a sale by public auction of all the property of the firm, which was held on March 2, 1877.
For further information on Horatio Goodman, see H.N. Goodman.
There are no entries in the database that describe organs by Cabinet Pipe Organ Co.
We are always interested in adding to our information about builders and correcting any errors that our Database may contain. If you can provide us with corrections or additions to the information presented here, please click the Update button and use the online form to send us details.
Your cooperation and support are greatly appreciated.
This page was opened in a secondary window or tab. To return to the list of builders, simply close this tab.
Some of our entries are names that might never appear on a nameplate or nameboard.
On the other hand, there are both individuals and firms who are responsible for conserving historic organs through location, or preserving the usefulness of pipe organs through rebuilding or making modifications to existing instruments. In these cases, we are proud to acknowledge their contributions to the ongoing artistic tradition of the pipe organ in America through individual entries in our online database.