The OHS Pipe Organ Database

St. John the Evangelist Episcopal Church
35 Bowdoin Street, Beacon Hill
Boston, Massachusetts 02114

OHS Database ID 5777.

See the address on Google Maps.


Status and Condition

The organ has been destroyed and is no longer extant.
We received the most recent update on this organ's state and condition December 26, 2018.


Technical Details

Slider chests. Mechanical key action. Electric stop action.

Two manuals. 3 divisions. 29 stops. 34 ranks.

The organ is in gallery-level chambers at the rear of the room.

Reversible full organ/tutti toe stud. Combination action thumb pistons. Coupler reversible toe studs.

Notes

  • The original builder was George S. Hutchings (1891, Opus 210). (OHS PC Database. October 30, 2004)
  • Moved to the gallery and converted to electric action by Hook & Hastings in 1930. (OHS PC Database. October 30, 2004)
  • The Beaudry work was rebuilding the Geo. S. Hutchings/Hook & Hastings organ with tracker action. (OHS PC Database. October 30, 2004)
  • Updated through online information from David Russo. -- The organ at St. John-s was originally Opus 210 of the George S. Hutchins Co. of Boston, an instrument of two manuals and pedal, built in 1890. It was a mechanical action (tracker) organ placed in the front of the church top the left of the chancel.

    What is now the central portion of the façade, containing 28 pipes belonging to the 16 and 18-foot principal stops of the Great, beginning at 12-ft. F, was that portion of the façade originally falling across the choir, between the end of the side gallery and the front wall. The "impost levelâ€? of the façade was flush with the lower edge of the front of the side gallery.

    While there was no "case� housing the organ in the traditional sense, the organ was nonetheless placed against a corner of the sanctuary, and the two walls functioned as reflecting surfaces for at least some of the interior pipes.

    The console may originally have been detached, facing the choir; the bellows was powered by a water motor. It has not yet been possible to trace the original stop list of the instrument, although it is likely that the specification for the years 1930-1967 is indeed the original one, except for the addition of several extra couplers, added in 1930.

    In that year, Hook & Hastings Company (shortly before its bankruptcy), moved the organ to its position in the rear gallery and, keeping with the fashion of the time, electrified the playing action and stop action, while retaining the original slider wind chests. The organ was also given a new electropneumatic console.

    It is highly likely that some re-voicing was done to the pipes at that time, but there is no documentation extant describing this. In any case, the sound of the original pipes would have been considerably altered by the electrification of the action and by the removal of the organ to the recesses of the rear gallery.

    Everett Titcomb was apparently of the opinion that the organ had a different character than before, as he referred to the instrument as a Hook & Hastings organ, rather than a Hutchings, when the work was completed.

    Recordings of the instrument prior to its rebuilding by Philip Beaudry in the 1960s, reveal a thick and opaque tone, in some ways similar to that of cinema organs of the early 1900s.

    Well before the early 1960s, the electric action was showing signs of serious deterioration, and the building of a new mechanical-action instrument was eventually contemplated, along with other options.

    Several builders, among them the eminent Dutch organ builder D.A. Flentrop, submitted designs for a new organ. At least two of these proposals included a Rückpositiv division to be mounted on the gallery rail. Because of the expense involved in the building of a new organ, this project was never undertaken; instead, the organ was rebuilt over a period of several years by a local builder, Philip Beaudry, with a view towards economy.

    Beaudry-s work consisted of making tonal alterations to the existing pipes, installing pipes from other organs, extensive repairs to the 1930 mechanism and moving the console to the center of the gallery from the epistle side of the building. The Open Diapason 16- of the pedal (wooden pipes) was sold to Charles Fisk, who used it to build the case for the Harvard organ. The rebuilt organ at St. John-s was re-dedicated in 1967. Subsequent work by Beaudry included further tonal alterations and the re-trackerization of the organ, so that the organ again had mechanical action as it had between 1890 and 1930. The work was completed in the early 1970s.

    In 1993, an organ committee was established to consider whether to replace the organ. In light of the various changes to the organ and the nature and degree of the ongoing repairs to it, the parish decided to seek proposals from organ builders on a new organ for St. John-s. After an exhaustive analysis of the proposals received, the committee recommended that Paul Fritts of Tacoma, Washington be selected to build the new organ. Ultimately, the Vestry felt that the cost of approximately $400,000 was too prohibitive and the modified 1890 Hutchings organ remained. (Database Manager. November 11, 2015)
  • Updated through online information from James R. Stettner. (Database Manager. November 29, 2015)
  • Updated by John Roper, listing conversations with this person as the source of the information: Organ Clearing House.

    (Stephen Hall. December 26, 2018)

Online Documents

Currently we have no online documents associated with this organ entry. If you can provide us with digital files of contracts, correspondence, dedication programs, or any similar items, please follow this link to our document upload form to send them to us.

If you would like more information about documents included in the Database, please see our Documents Information page.

Related Database Entries

As a matter of best practice, we maintain separate entries each time an organ is modified or relocated. Click a link to go to descriptions of other phases in this instrument's life.

Other Websites

The database contains no links to external websites that describe this organ. If you know of any sites that contain information about it, please use the Update form to send us the URL.

Photographs

Click on a thumbnail to see the larger image in a new tab.


Console. Photograph by David Russo 2014-10-17
Gallery, Console, and Organ Case. Photograph by David Russo 2010-10-02

Pipe organs in Massachusetts sponsored by Mssrs. Czelusniak et Dugal.

If you can provide us with additional photographs, you may upload them through our online form. For further information please see our expectations for adding photographs.

 

Stoplist

When they are available, stoplists for organs are included in the Database. To make corrections in stoplists that you see here, please send details via e-mail to stoplists@pipeorgandatabase.org rather than submitting a new stoplist through our online form.

  • Stoplist copied from an issue of The American Organist
    Boston, Massachusetts
    Church of St.John the Evangelist (Episcopal)
    
    George S. Hutchings, Opus 210, 1890
    Hook & Hastings, 1930 - Moving and Electrification
    Philip A. Beaudry, Opus 20R, 1975 - Mechanical Refurbishing & Tonal Changes
    
    GREAT
       16'    Montre
       8'     Principal
       8'     Flûte à Cheminée
       8'     Gemshorn
       5-1/3' Grosse Quinte
       4'     Octave
       4'     Flute
       2-2/3' Nasard
       2'     Doublette
       V      Cornet (prep)
       III    Fourniture
       8'     Trompette
       8'     Cromorne 
    
    SWELL (Expressive)
       16'    Bourdon
       8'     Cor de Nuit
       8'     Flûte Conique
       8'     Viole de Gambe
       8'     Voix Céleste
       4'     Prestant
       4'     Flûte Harmonique
       2'     Octavin
       1-1/3' Larigot
       II     Sesquialtera
       III    Plein Jeu
       8'     Cornopean
       8'     Hautbois
              Tremulant
    
    PEDAL
       16'    Contrebasse
       16'    Soubasse
       8'     Violoncelle
       8'     Flûte (prep)
       4'     Choralbasse
       16'    Bombarde (prep)
    
     [Received from James R. Stettner 2015-11-15.]
  • Click Here Stoplist copied from an issue of The American Organist Plain text; will open in a new window or tab.