Stephen J. Russell (& Co.) (Opus 18, 1995)
Assumption College

Great:
16’ Pommer                   61
8’ Principal                 61
8' Rohrflote                 61
8' Flute Harmonique          61
8' Salicional                61
4' Octave                    61
4' Nachthorn                 61
2' Super Octave              61
IV Mixture                   244
III-IV Scharf                232
16' Bombarde                 61
8' Trompete                  61
8' State Trumpet             61
Swell to Great 16'
Swell to Great 8'
Swell to Great 4'
Positiv to Great 16'
Positiv to Great 8'

Swell:
16' Lieblich Gedeckt (TC)    from Gedeckt 8'
8' Geigen Principal          from Principal 4', 1-12=Gedeckt + Viole
8' Gedeckt                   61
8' Viole                     61
8' Voix Celeste (TC)         49
8' Spitzflote                61
8' Spitzflote Celeste (TC)   49
4' Principal                 61
4' Koppelflote               61
2 2/3' Nazard                61
2' Flachflote                61
1 3/5' Tierce                61
V Plein Jeu                  305
16' Contre Hautbois          12
8' Hautbois                  61
8' Voix Humaine              61
8' Trompette                 61
4' Clarion                   12
16' State Trumpet (TC)       Great
8' State Trumpet             Great
Zimblestern
Tremulant
Swell 16'
Swell Unison Off
Swell 4'

Positiv:
8' Principal                 from 4' Principal, 1-12=Great
8' Bourdon                   61
4' Principal                 61
4' Rohrflote                 61
II Sesquialtera (TC)         98
2' Octave                    61
1 1/3' Larigot               61
1' Sifflet                   61
IV Cymbale                   244
16' Cromorne                 12
8' Trompete                  12 ext. Great Bombarde 16'
8' Cromorne                  61
8' State Trumpet             Great
Tremulant
Positiv 16'
Positiv Unison Off
Swell to Positiv 16'
Swell to Positiv 8'
Swell to Positiv 4'
French Manual Transfer

Pedal:
32' Contre Bourdon           from Subbass 16' 1-12=16' + 10 2/3'
32' Gedeckt Pommer           from Pommer 16' 1-12=16' + 10 2/3'
16' Subbass                  32
16' Pommer                   Great
16' Principal                32
8' Principal                 12 ext. 16' Principal
8' Gedecktbass               12 ext. 16' Subbass
8' Pommer                    Great
8' Salicional                Great
4' Choral Bass               32
4' Pommer                    Great
IV Mixture                   68 derived from independent 2 2/3' = 2' ranks
32' Harmonics                from Contra Posaune 16' 1-12=10 2/3' + 6 2/5' + 5 1/3' + 4 4/7' + 3 5/9' from Principal 16' and Subbass 16'
16' Bombarde                 Great
16' Posaune                  32
16' Contre Hautbois          Swell
8' Trompette                 Swell
8' Trompete                  12 ext. Posaune 16'
4' Trompete                  12 ext. Posaune 16'
4' Cromorne                  Positiv
8' State Trumpet             Great
Great to Pedal 8'
Swell to Pedal 8'
Positiv to Pedal 8'
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