Basilica of Our Lady of Perpetual Help
Mission Church, Boston (Roxbury), MA
Geo. S. Hutchings, Opus 410
1897/1968
* new pipework, 1968 (Lahaise)
+ moved or reworked
GREAT
Double Diapason 16'
Open Diapason 8'
Doppel Flute+ 8'
Spitz Flute 8'
Octave 4'
Chimney Flute* 4'
Fugara 4'
Twelfth 2 2/3'
Fifteenth 2'
Nighthorn+ 2'
Tierce* 1 3/5'
Cymbal VII
Mixture V
Scharf III
Posaune 16'
Trumpet 8'
Clarion 4'
Swell to Great 16', 8', 4'
Choir to Great 16', 8', 4'
Great to Great 4'
Great Unison Off
CHOIR
Gedeckt 8'
Principal 4'
Spindle Flute* 4'
Octave 2'
Sesquialtera* II
Mixture* IV
Cremona 8'
Swell to Choir 16', 8', 4'
Choir to Choir 16', 4'
Choir Unison Off
SWELL
Bourdon 16'
Diapason 8'
Gedeckt 8'
Viola 8'
Viola Celeste 8'
Octave 4'
Koppel Flote* 4'
Nazard* 2 2/3'
Block Flote* 2'
Tierce* 1 3/5'
Larigot* 1 1/3'
Mixture* III-V
Fagot 16'
Trompette 8'
Oboe 8'
Vox Humana 8'
Shawm 4'
Swell to Swell 16',4'
Swell Unison Off
Tremelo
PEDAL
Bourdon 32'
Principal 16'
Bourdon 16'
Violone 16'
Dulciana 16'
Octave 8'
Flute 8'
Cello 8'
Quint 5 1/3'
Super Octave 4'
Flute* 4'
Flute* 2'
Mixture* IV
Trombone 16'
Trumpet 8'
Great to Pedal 8', 4'
Swell to Pedal 8', 4'
Choir to Pedal 8'
Pedal to Pedal 4'
Solo division on slider chest with pneumatic action. new slider chests were
patterned directly from the Hutchings toeboards. A new console was provided,
though the bat-wing console still existed. The tonal work, intended to brighten
and expand the harmonic palette, was undertaken in consultation with Charles
Fisk. New upper work was included in the swell, choir, and pedal divisions
(mutations, mixtures, etc.). The reeds were revoiced to keep their fiery quality
on lower pressure. Not all of the original pipework was incorporated, the most
notable omissions being the solo tuba and the choir foundations. However, much
of this pipework has stood in the original toeboards for the past 25+ years,
awaiting the chance to sing again.
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