M. P. Möller (Opus 8539, 1953)

St. Paul's Episcopal Church

Indianapolis, IN, US

GREAT ORGAN
  • Notes: Manual II, 4" wind pressure
16'Quintaton
  • Notes: (enclosed in Choir, scale 44, halve on 19th, 24 zinc basses, remainder spotted metal, 61 pipes)
8'Diapason
  • Notes: (scale 47, halve on 17th, 12 zinc basses, remainder spotted metal, 61 pipes)
8'Bourdon
  • Notes: (scale 50, halve on 20th, 12 zinc basses, remainder spotted metal, 61 pipes)
4'Principal
  • Notes: (scale 58, halve on 18th, spotted metal, 61 pipes)
4'Rohrflöte
  • Notes: (scale 58, halve on 20th, spotted metal, 61 pipes)
2⅔'Quint
  • Notes: (scale 66, halve on 18th, spotted metal, 61 pipes)
2'Super Octave
  • Notes: (scale 70, halve on 18th, spotted metal, 61 pipes)
IIIFourniture
  • Notes: ("3-R-2," halve on 17th, spotted metal, 183 pipes)
Tremolo
Carillonic Bells
  • Notes: (existing Schulmerich bells, with Choir expression shoe)
SWELL ORGAN
  • Notes: Manual III, enclosed, 4" wind pressure
8'Rohrflöte
  • Notes: (scale 54, halve on 20th, 12 zinc basses, remainder spotted metal, 61 pipes)
8'Viole de Gambe
  • Notes: (scale 52, halve on 17th, 12 zinc basses, remainder spotted metal, 61 pipes)
8'Viole Celeste
  • Notes: (scale 54, halve on 17th, 12 zinc basses, remainder spotted metal, 61 pipes)
8'Echo Salicional
  • Notes: (scale 60, halve on 17th, 12 zinc basses, remainder spotted metal, 61 pipes)
4'Fugara
  • Notes: (scale 60, ¾ taper, halve on 18th, spotted metal, 61 pipes)
2'Nachthorn
  • Notes: (scale 70, halve on 20th, open, spotted metal, 61 pipes)
IIIScharf
  • Notes: ("3-R," halve on 18th, spotted metal, 183 pipes)
16'Clarinet
  • Notes: (1¾" scale, 61 pipes)
8'Trompette
  • Notes: (2½" scale, 61 pipes)
4'Schalmei
  • Notes: (1¼" scale, 6r pipes)
CHOIR ORGAN
  • Notes: Manual I, enclosed, 4" wind pressure
8'Gedeckt
  • Notes: (scale 56, halve on 20th, 12 zinc basses, remainder spotted metal, 61 pipes)
8'Gemshorn
  • Notes: (scale 52, ⅓ taper, halve on 17th, 12 zinc basses, remainder spotted metal, 61 pipes)
8'Gemshorn Celeste
  • Notes: (scale 52, ⅓ taper, halve on 17th, 12 zinc basses, remainder spotted metal, 61 pipes)
4'Principal
  • Notes: (scale 62, halve on 17th, spotted metal, 61 pipes)
4'Flute Harmonic
  • Notes: (scale 60, "Reg," spotted metal, 61 pipes)
2⅔'Nasat
  • Notes: (scale 66, ⅔ taper, halve on 20th, spotted metal, 61 pipes)
2'Blockflöte
  • Notes: (scale 70, ¾ taper, halve on 20th, spotted metal, 61 pipes)
8'Krummhorn
  • Notes: (1" scale, 61 pipes)
Tremolo
Carillonic Bells
  • Notes: (from Great)
GREAT-POSITIV ORGAN
  • Notes: Manual II, 3½" wind pressure
8'Quintaton
  • Notes: (scale 56, halve on 20th, capped, 12 zinc basses, remainder spotted metal, 61 pipes)
4'Koppelflöte
  • Notes: (scale 64, halve on 20th, spotted metal, 61 pipes)
2'Blockflöte
  • Notes: (scale 70, ¾ taper, halve on 20th, spotted metal, 61 pipes)
IISesquialtera
  • Notes: (17th scale 76, 19th scale 80 with ¾ taper, halve on 18th, spotted metal, 122 pipes)
IIZimbel
  • Notes: (26th scale 92 with ¾ taper, 29th scale 95, halve on 17th, spotted metal, 122 pipes)
Tremolo
CHOIR-POSITIV ORGAN
  • Notes: Manual I
8'Quintaton
  • Notes: (from Great-Positiv)
4'Koppelflöte
  • Notes: (from Great-Positiv)
2'Blockflöte
  • Notes: (from Great-Positiv)
IISesquialtera
  • Notes: (from Great-Positiv)
IIZimbel
  • Notes: (from Great-Positiv)
Tremolo
PEDAL ORGAN
  • Notes: 4" wind pressure
16'Subbass
  • Notes: ("Large Ped. Bdn., Low Lip, Large Ears," wood, 32 pipes)
16'Quintaton
  • Notes: (from Great)
8'Spitzprinzipal
  • Notes: (scale 44, ¾ taper, halve on 18th, 12 zinc basses, remainder common metal, 44 pipes)
8'Gedeckt
  • Notes: ("Reg. Man. Bdn.," wood, 56 pipes)
4'Prinzipal
  • Notes: (extension, 8' Spitzprinzipal)
4'Gedeckt
  • Notes: (extension, 8' Gedeckt)
2'Gedeckt
  • Notes: (extension, 8' Gedeckt)
IVFourniture
  • Notes: (draws 4' Prinzipal, 96 pipes)
16'Clarinet
  • Notes: (from Swell, 16' Clarinet)
COUPLERS
  • Notes: by rocking tablets above Manual III
Great to Pedal 8, 4
Swell to Pedal 8, 4
Choir to Pedal 8, 4
Swell to Great 16, 8, 4
Choir to Great 16, 8, 4
Choir 16, Unison Separation, 4
Swell to Choir 16, 8, 4
Swell 16, Unison Separation, 4
Great to Swell
Choir to Swell
Great Off/Positiv On
Choir Off/Positiv On