Chicago, Illinois
Saint Peter's Episcopal Church

Buzard Organ, Opus 35, 2007
III/48 (Enlargement and rebuild of 1982 McManis two manual) 


GREAT
 16'	Gemshorn		  61
  8'	Open Diapason		  61
  8'	Chimney Flute		  61
  8'	Gemshorn		  12
  4'	Principal		  61
  4'	Spire Flute		  61
  4'	Gemshorn		  12
  2 2/3'Nazard		          61
  2'	Doublette		  61
  1 3/5'Tierce			  49
  1 1/3'Mixture III-IV		 232
  8'	Trumpet 		  --	Swell
	Chimes				25 notes
  8'	Major Tuba		  --	prepared

SWELL
 16'	Leiblich Gedeckt	  61
  8'	Open Flute		  61
  8'	Spitz Gamba		  61
  8'	Gamba Celeste		  49	from Tenor C
  4'	Principal		  61
  4'	Koppel Flute		  61
  2'	Principal		  61
  1'	Mixture III		183
 16'	Bassoon			  12    new ext
  8'	Trompette		  61    new, replacement of original
  8'	Oboe			  61    new, replacement of original
  4'	Clarion			  12
	Tremulant
  8'	Major Tuba		  --	prepared

PEDAL
 32'	Subbass			  --	1-12 electronic
 32'	Lieblich Gedeckt (Sw)	  --	1-12 electronic
 16'	Open Diapason		  32	wood
 16'	Bourdon			  32
 16'	Gemshorn 		  --	Great
 16'	Lieblich Gedeckt 	  --	Swell
  8'	Principal		  32
  8'	Bourdon			  12
  8'	Gedeckt Flute		  --	Swell
  4'	Choral Bass		  32
  4'	Gedeckt Flute		  --	Swell
  2 2/3'Mixture IV		 128
 16'	Trombone		  12	Swell ext, new
 16'	Bassoon			  --	Swell
  8'	Trompette		  --	Swell
  4'	Clarion			  --	Swell
  8'	Major Tuba		  --	prepared


CHOIR A
  8'	English Open Diapason	  61	facade
  8'	Salicional		  61
  8'	Voix Celeste		  49	from Tenor C
  4'	Principal		  61
  2'	Full Mixture IV		 244
 16'	English Horn		  61
  8'	Cornopean		  61
	Tremulant

CHOIR B
  8'	Stopped Diapason	  61
  8'	Flute Coelestis II	  61	open wood pipes, double flues
  4'	Harmonic Flute		  61
  2'	Recorder		  61
  1 1/3'Larigot			  61
  8'	Clarinet		  61
	Tremulant
  8'	Major Tuba		   --	prepared

PEDAL
 16'	Choir Gedeckt		  12	

All Choir stops are by Buzard- new divided division in twin cases on either side of rear window in the nave (Antiphonal position).

Scope of Renovations to the McManis Organ

All the pipes above 8' pitch were brought to the shop for repair, cleaning, and regulation of 
their voicing. All the zinc basses were replaced with tin/lead metal pipes. The original McManis 
voicing was respected and restored wherever possible.

The two ranks of reed stops were also replaced with new pipes of lead and tin pipe metal for darker, 
fuller, and more consistent tone. We added a full-length Pedal 16' Trombone, and a full-compass 
Swell 16' Fagotto [Bassoon], which was not originally installed. 

 [Received from Stephen Hall 2011-12-20.]