| Great (I)🛈 | ||
| 8' | Open Diapason | 56 |
| 8' | Viol d'Amour | 56 |
| 8' | Stopped Diapason bass | 12 |
| 8' | Stopped Diapason treble🛈 | 44 |
| 8' | Melodia🛈 | 44 |
| 8' | Night Horn | 44 |
| 4' | Principal | 56 |
| 2 2⁄3' | Twelfth | 56 |
| 2' | Fifteenth | 56 |
| III | Sesqui-altera | 168 |
| 8' | Trumpet | 56 |
| 8' | Swell to Great |
| Swell (II - Expressive)🛈 | ||
| 16' | Bourdon [treble]🛈 | 44 |
| 8' | Open Diapason [treble] | 44 |
| 8' | Stopped Diapason [treble]🛈 | 44 |
| 8' | Cooper Viola🛈 | 56 |
| 4' | Principal | 56 |
| III | Cornet [treble] | 132 |
| 8' | Trumpet | 44 |
| 8' | Hautboy | 44 |
| 16' | Bourdon [bass] | 12 |
| 8' | Open Diapason | 12 |
| 8' | Stopped Diapason | 12 |
| II | Mixture🛈 | 24 |
| Pedal🛈 | ||
| 16' | Double open diapason🛈 | 25 |
| 8' | Violoncello🛈 | 25 |
| 8' | Great to Pedal | |
| 8' | Swell to Pedal |