Martin F. Pasi (1994)

Trinity Evangelical Lutheran Church

Tacoma (Parkland), WA, US

  • Position: Exposed Pipes or Case Front Visible in a Gallery at the Rear of the Room
  • Chest Action: Slider With Direct Electric Pallets (Internally Mounted)
  • Stop Action: Electric
  • Notes: Revoiced 16' Quintadena
  • Notes: Fritts, 2012
  • Notes: Fritts, 2012
  • Notes: Fritts, 1995
Great (II)🛈
16'Bordun🛈61
8'Principal61
8'Spillfloete🛈61
4'Octave61
2'Octave🛈61
III-VMixture292
8'Trompete🛈61
16'Great to Great
16'Swell to Great
8'Swell to Great
4'Swell to Great
16'Positif to Great
8'Positif to Great
  • Position: Pipes Exposed (in Whole or in Part) in a Gallery at the Rear of the Room
  • Chest Action: Slider With Direct Electric Pallets (Internally Mounted)
  • Stop Action: Electric
  • Notes: Recomposed Swell Mixture
Positif (I)🛈
8'Holzgedeckt61
4'Rohrfloete61
2'Principal61
1 1⁄3'Klein-nasat61
III-IVScharf🛈232
8'Krummhorn61
8'Swell to Positif
4'Swell to Positif
  • Position: In Gallery-Level Chambers at the Rear of the Room
  • Chest Action: Slider With Direct Electric Pallets (Internally Mounted)
  • Stop Action: Electric
  • Notes: (tc) Hinners, ca. 1890
Swell (III - Expressive)🛈
8'Rohrfloete61
8'Salicional61
8'Celeste🛈49
4'Flachfloete61
2 2⁄3'Nasat49
2'Waldfloete61
1 3⁄5'Tierce49
8'Schalmei61
16'Swell to Swell
4'Swell to Swell
  • Position: Exposed Pipes or Case Front Visible in a Gallery at the Rear of the Room
  • Chest Action: Slider With Direct Electric Pallets (Internally Mounted)
  • Stop Action: Electric
  • Notes: Extension of 8' Octave
  • Notes: Fritts, 1996
Pedal🛈
16'Principal🛈12
16'Subbass32
8'Octave32
8'Metal Gedeckt32
4'Choralbass32
2'Nachthorn32
IIIMixture96
16'Fagott32
8'Trompete🛈32
8'Great to Pedal
8'Swell to Pedal
8'Positif to Pedal