Patrick J. Murphy & Associates Organbuilders (Opus 60, 2013)

St. Mary of the Immaculate Conception Catholic Church (1872)

Wilkes-Barre, PA, US

  • Position: In a Gallery-Level Case at the Rear of the Room
  • Stop Action: Electric
  • 16' Great to Great
  • Great Unison Off
  • 4' Great to Great
Great (II)🛈
16'Double Open Diapason
8'First Open Diapason
8'Second Open Diapason
8'Viola d'Gamba
8'Doppel Flute
8'Gemshorn
4'Octave
4'Hohl Flute
2 2⁄3'Octave Quint
2'Super Octave
IVMixture
8'Tuba
4'Tuba Clarion
Tremolo
Chimes
Zimbel Stern
Great 16
Great Unison Off
Great 4
16'Swell to Great
8'Swell to Great
4'Swell to Great
16'Choir to Great
8'Choir to Great
4'Choir to Great
  • Position: In a Gallery-Level Case at the Rear of the Room
  • Stop Action: Electric
  • 16' Swell to Swell
  • Swell Unison Off
  • 4' Swell to Swell
Swell (III - Expressive)🛈
16'Bourdon
8'Open Diapason
8'Stopped Diapason
8'Spitz Flute
8'Salicional
8'Vox Celeste
8'Aeoline
4'Octave
4'Flute Harmonique
2'Flageolet
III-IVCornet
8'Cornopean
8'Oboe
8'Vox Humana
Tremolo
Swell 16
Swell Unison Off
Swell 4
  • Position: In a Gallery-Level Case at the Rear of the Room
  • Stop Action: Electric
  • 16' Choir to Choir
  • Choir Unison Off
  • 4' Choir to Choir
Choir (I - Expressive)🛈
16'Double Melodia
8'Violin Diapason
8'Concert Flute
8'Quintadena
8'Unda Maris II
4'Fugara
4'Flute d'Amour
2'Piccolo Harmonique
8'Clarinet
Tremolo
Choir 16
Choir Unison Off
Choir 4
16'Swell to Choir
8'Swell to Choir
4'Swell to Choir
  • Position: In a Gallery-Level Case at the Rear of the Room
  • Stop Action: Electric
Pedal🛈
16'Open Diapason
16'Violone
16'Bourdon
16'Lieblich Gedeckt
10 2⁄3'Quint
8'Violon Cello
16'Trombone
8'Swell to Pedal
4'Swell to Pedal
8'Great to Pedal
4'Great to Pedal
8'Choir to Pedal
4'Choir to Pedal