Hagerstown Organ Company, Inc. (2003)

Originally M. P. MΓΆller(Opus 4936, 1927)

St. John's Episcopal Church

Hagerstown, MD, US

Great (II)πŸ›ˆ
  • Position: In Side Chambers at the Front of the Room. Facade Pipes or Case Front Visible
  • Stop Action: Electric
16'Gemshorn
61
8'PrincipalπŸ›ˆ
  • Notes: 1-6 from Ped. 8' Octave
55
8'Bourdon
61
8'GemshornπŸ›ˆ
  • Notes: ext. 16' Gemshorn
12
4'Octave
61
4'Koppel FlΓΆte
61
2 2⁄3'Quinte
61
2'Block FlΓΆteπŸ›ˆ
  • Notes: ext. 4' Kop. Fl.
12
1 3⁄5'Terz
61
III-IVFourniture
227
IIIZimbel
183
16'Kontra Fagott
61
8'Trompete
61
8'FagottπŸ›ˆ
  • Notes: ext. 16' Kon. Fag.
12
Tremulant
8'Trompette en Chamade
61
Chimes
Swell to Great 16
  • 16' Swell to Great
Swell to Great
  • 8' Swell to Great
Swell to Great 4
  • 4' Swell to Great
Positiv to Great 16
  • 16' Positiv to Great
Positiv to Great
  • 8' Positiv to Great
Nave on Great
  • 8' Nave to Great
Swell (III - Expressive)πŸ›ˆ
  • Position: In Side Chambers at the Front of the Room. Facade Pipes or Case Front Visible
  • Stop Action: Electric
16'BourdonπŸ›ˆ
  • Notes: 1-12 digital; 13-61 from 8' Fl. Couv.
8'Principal
61
8'FlΓ»te Couverte
61
8'Gambe
61
8'Gambe Celeste [FF#]
55
4'PrestantπŸ›ˆ
  • Notes: ext. 8' Princ.
12
4'FlΓ»te Harmonique
61
2 2⁄3'Nazard
61
2'Doublette
61
2'PiccoloπŸ›ˆ
  • Notes: ext. 4' Fl. Harm.
12
IIIPlein Jeu
183
16'Basson
61
8'Trompette
61
8'HautboisπŸ›ˆ
  • Notes: ext. 16' Basson
12
8'CromorneπŸ›ˆ
  • Notes: ext. Pos. 16' Cromorne
12 POS
4'Clairon
61
Tremulant
Swell 16
  • 16' Swell to Swell
Unison Off
  • Swell Unison Off
Swell 4
  • 4' Swell to Swell
Nave on Swell
  • 8' Nave to Swell
Positiv (I)πŸ›ˆ
  • Position: In Side Chambers at the Front of the Room. Facade Pipes or Case Front Visible
  • Stop Action: Electric
8'Principal
DIG
8'Pommer
61
[8]Dolce Celeste IIπŸ›ˆ
  • Notes: electronic
DIG
4'Klein Principal
61
4'Nachthorn
61
2'Octave
61
1 1⁄3'Larigot
61
1'SifflΓΆte
61
IISesquialtera [TC]
98
IIIZimbel
183
16'Cromorne
61
8'Clarinette
61
Tremulant
8'Trompete
GR
8'Trompette en Chamade
GR
Positiv 16
  • 16' Positiv to Positiv
Unison Off
  • Positiv Unison Off
Swell to Positiv 16
  • 16' Swell to Positiv
Swell to Positiv
  • 8' Swell to Positiv
Swell to Positiv 4
  • 4' Swell to Positiv
Nave on Positiv
  • 8' Nave to Positiv
NaveπŸ›ˆ
  • Position: Pipes Exposed on the Rear Wall
  • Stop Action: Electric
8'PrincipalπŸ›ˆ
  • Notes: 1-12 from 8' Bourdon; 13-61 from 4' Octave
8'Bourdon
61
4'Octave
61
4'GedecktπŸ›ˆ
  • Notes: ext. 8' Bourdon
12
2'Super OctaveπŸ›ˆ
  • Notes: ext. 4' Octave
12
III-IVMixture
183
Nave PedalπŸ›ˆ
  • Position: Pipes Exposed on the Rear Wall
  • Stop Action: Electric
16'BourdonπŸ›ˆ
  • Notes: ext. Nave 8' Bourdon
12
8'Gedeckt
NV
PedalπŸ›ˆ
  • Position: In Side Chambers at the Front of the Room. Facade Pipes or Case Front Visible
  • Stop Action: Electric
32'UntersatzπŸ›ˆ
  • Notes: electronic
DIG
16'PrincipalπŸ›ˆ
  • Notes: electronic
DIG
16'Subbass
32
16'Gemshorn
GR
16'GedecktπŸ›ˆ
  • Notes: electronic
DIG
8'Octave
32
8'OffenflΓΆte
32
8'Gemshorn
GR
5 1⁄3'QuinteπŸ›ˆ
  • Notes: ext. 2 2/3' Quinte
12 GR
4'Choral BassπŸ›ˆ
  • Notes: ext. 8' Octave
12
4'FlΓΆtenπŸ›ˆ
  • Notes: ext. 16' Subbass
24
2'Nachthorn
POS
IVMixture
128
32'Kontra PosauneπŸ›ˆ
  • Notes: electronic
DIG
16'PosauneπŸ›ˆ
  • Notes: ext. Gr. 8' Trompete
12
16'Basson
SW
8'Trompete
GR
4'Fagott
GR
Swell to Pedal
  • 8' Swell to Pedal
Swell to Pedal 4
  • 4' Swell to Pedal
Great to Pedal
  • 8' Great to Pedal
Positiv to Pedal
  • 8' Positiv to Pedal
Nave to Pedal
  • 8' Nave to Pedal