Stoplist Details: James A. Konzelman - Opus 15, 1999 | Saint Anne Roman Catholic Church - Rochester, NY, US

	Great (II) Position: Pipes Exposed (in Whole or in Part) at the Front of the Room
16'	Quintaton (CH)
8'	Principal	61
8'	Rohrflote	61
8'	Flute Harmonique (CH)
8'	Gemshorn (CH)
8'	Quintaton (CH)
4'	Octave	61
4'	Koppelflote	61
2 ²⁄₃'	Nasat	61
2'	Octave	61
2'	Koppelflote	12 from 4'
1 ³⁄₅'	Tierce	61
IV	Mixture Notes: 1-1/3' starting pitch	244
8'	Trompete (PD) Notes: The concert program does not mention how many additional pipes are required to extend the Pedal Posaune/Trompete/Klarine unit to the top manual note; but it is likely 17.	17 from PD Posaune unit
8'	Cromorne (CH)
8'	Bombarde (AN)
	Chimes	DIG
	Tremulant
16'	Subbass	32

	Swell (III - Expressive) Position: In Side Chambers at the Front of the Room. No Visible Pipes Notes: Swell is contained in an arched alcove fronted by wooden casework that projects two or so feet from the wall.
16'	Bourdon	DIG
8'	Viola	61
8'	Viola Celeste Notes: The concert program states: "all manual stops have 61 pipes unless otherwise noted". And there is no mention that this celeste is short compass.	61
8'	Gedackt	61
8'	Flauto Dolce Celeste II (AN)
4'	Principal	61
4'	Nachthorn	61
2 ²⁄₃'	Quint	61
2'	Octave	61
2'	Nachthorn	12 from 4'
1 ³⁄₅'	Terz	61
1 ¹⁄₃'	Quint	12 from 2-2/3'
IV	Scharff Notes: 1' starting pitch	244
16'	Basson	61
8'	Trompette	61
8'	Hautbois	12 from Basson
8'	Voix Humaine (AN)
4'	Clarion	12 from Trompette
	Tremulant

	Choir (I) Position: Pipes Exposed (in Whole or in Part) at the Front of the Room
16'	Quintaton	61
8'	Montre (AN)
8'	Flute Harmonique	61
8'	Gemshorn	61
8'	Quintaton	12 from 16'
8'	Rorhrflote (GT)
8'	Gedackt (SW)
8'	Holzgedackt (AN)
8'	Viola (SW)
8'	Viola Celeste (SW)
4'	Koppelflote (GT)
4'	Nachthorn (SW)
2 ²⁄₃'	Nasat (GT)
2'	Koppelflote (GT)
1 ³⁄₅'	Tierce (GT)
8'	Trompete (GT) Notes: The concert program claims claims this stop to be borrowed from the Great. However, the Great Trompete itself is borrowed from the Pedal Posaune unit.
8'	Cromorne	61
8'	Voix Humaine (AN)
8'	Bombarde (AN)
	Tremulant

	Pedal Position: Pipes Exposed (in Whole or in Part) at the Front of the Room
32'	Subbass	DIG
32'	Resultant
16'	Principal	12 extension of GT Principal
16'	Gedackt (AN)
16'	Quintaton (CH)
8'	Octave Notes: The concert program claims 12 pipes for this stop without mentioning where the balance comes from.	12
8'	Bourdon	12 from 16'
8'	Gemshorn (CH)
4'	Choralbass	32
4'	Flute Harmonique (CH)
IV	Mixture Notes: 2-2/3' starting pitch	128
32'	Kontra Posaune	DIG
32'	Contra Basson	DIG
16'	Posaune	32
16'	Basson (SW)
8'	Trompete	12 from Basson
8'	Hautbois (SW)
4'	Klarine	12 from Basson
4'	Cromorne (CH)
	Chimes	DIG

	Antiphonal (Expressive) Position: In a Gallery-Level Case at the Rear of the Room Notes: Antiphonal has no keyboard. Antiphonal stops are borrowed into the other organ divisions.
16'	Gedackt	61
8'	Montre Notes: Unenclosed in facade	61
8'	Holzgedackt	12 from 16'
8'	Flauto Dolce Celeste II Notes: The concert program states: "all manual stops have 61 pipes unless otherwise noted". And there is no mention that the celeste rank is short compass.	122
8'	Voix Humaine	61
8'	Bombarde Notes: Hooded	61