Stoplist Details: James A. Konzelman - Opus 15, 1995 | Saint Anne Roman Catholic Church - Rochester, NY, US

	Great (II)🛈 Position: Pipes Exposed (in Whole or in Part) at the Front of the Room
16'	Quintaton (CH)
8'	Principal	61
8'	Flute Harmonique (CH)	PF
8'	Rohrflote	61
8'	Gemshorn (CH)
8'	Quintaton (CH)
4'	Octave	61
4'	Koppelflote	61
2 ²⁄₃'	Nasat	61
2'	Octave	61
2'	Koppelflote	12 from 4'
1 ³⁄₅'	Tierce	61
IV	Mixture🛈 Notes: 1-1/3' starting pitch.	244
8'	Trompete	61
8'	Cromorne (CH)	PF
	Chimes	PF
	Tremulant

	Great Unison Off
4'	Great to Great
16'	Swell to Great
8'	Swell to Great
4'	Swell to Great
16'	Choir to Great
8'	Choir to Great
4'	Choir to Great

	Swell (III - Expressive)🛈 Position: In Center Chambers at the Front of the Room. No Visible Pipes Notes: Swell is contained in an arched alcove fronted by wooden casework that projects two or so feet from the wall.
8'	Gedeckt	61
8'	Viola	61
8'	Viola Celeste	55
8'	Flauto Dolce (EC)	PF
8'	Flauto Dolce Celeste (EC)🛈 Notes: The 1999 spec groups the Dolce and Celeste on to one stopknob. Possibly to free up a knob for the 1999 16' Digital Bourdon.	PF
4'	Principal	61
4'	Natchthorn	61
2 ²⁄₃'	Quint	61
2'	Octave	61
2'	Nachthorn	12 from 4'
1 ³⁄₅'	Terz	PF
1 ¹⁄₃'	Quint	7 from 2 2/3
IV	Scharff🛈 Notes: 1' starting pitch	244
16'	Basson🛈 Notes: 1/2 length resonators	12 from Hautbois
8'	Trompette	61
8'	Hautbois	61
8'	Vox Humana (EC)	PF
4'	Clarion	12 from Trompette
	Tremulant

16'	Swell to Swell
	Swell Unison Off
4'	Swell to Swell
16'	Choir to Swell
8'	Choir to Swell
4'	Choir to Swell
8'	Great to Swell
	Swell Unison Off

	Choir (I)🛈 Position: Pipes Exposed (in Whole or in Part) at the Front of the Room
16'	Quintaton	61
8'	Flute Harmonique	PF
8'	Rohrflote (GT)
8'	Quintaton	12 from 16'
8'	Gemshorn	61
8'	Viola (SW)
8'	Viola Celeste (SW)
8'	Holzgedeckt (EC)	PF
8'	Flauto Dolce (EC)	PF
8'	Flauto Dolce Celeste (EC)🛈 Notes: The 1999 spec groups the Dolce and Celeste on to one stopknob. Possibly to free up a knob for the 1999 4' Nachthorn borrow.	PF
4'	Koppelflote (GT)
2 ²⁄₃'	Nasat (GT)
2'	Koppelflote (GT)
1 ³⁄₅'	Terz (GT)
8'	Bombarde	PF
8'	Tromptete (GT)
8'	Cromorne	PF
8'	Vox Humana (EC)	PF
	Tremulant

16'	Choir to Choir
4'	Choir to Choir
16'	Swell to Choir
8'	Swell to Choir
4'	Swell to Choir
8'	Great to Choir
4'	Great to Choir

	Pedal🛈 Position: Pipes Exposed (in Whole or in Part) at the Front of the Room
32'	Subbass	PF
32'	Resultant	from Subbass
16'	Principal	12 Gt Principal
16'	Subbass	32
16'	Echo Bourdon (EC)	PF
16'	Quintaton (GT)🛈 Notes: Actually the spec lists the pipes as being in the Choir, rather than the Great.
8'	Octave	32
8'	Bourdon	12 from Subbass
8'	Holzgedeckt (EC)	PF
8'	Gemshorn (CH)
4'	Choralbass	12 from 8' Octave
4'	Flute Harmonic (CH)	PF
IV	Mixture	PF
32'	Posaune	DIG from 16'
32'	Basson	DIG from SW 16'
16'	Posaune	12 GT Trompette
16'	Basson (SW)
8'	Trompete (GT)
8'	Hautbois (SW)
4'	Klarine (GT)	GT Trompete
4'	Cromorne (CH)	PF
	Chimes	PF

8'	Great to Pedal
4'	Great to Pedal
8'	Swell to Pedal
4'	Swell to Pedal
8'	Choir to Pedal
4'	Choir to Pedal