James A. Konzelman (Opus 15, 1995)

Saint Anne Roman Catholic Church

Rochester, NY, US

  • Position: Pipes Exposed (in Whole or in Part) at the Front of the Room
  • Notes: 1-1/3' starting pitch.
Great (II)🛈
16'Quintaton (CH)
8'Principal61
8'Flute Harmonique (CH)PF
8'Rohrflote61
8'Gemshorn (CH)
8'Quintaton (CH)
4'Octave61
4'Koppelflote61
2 2⁄3'Nasat61
2'Octave61
2'Koppelflote12 from 4'
1 3⁄5'Tierce61
IVMixture🛈244
8'Trompete61
8'Cromorne (CH)PF
ChimesPF
Tremulant
Great Unison Off
4'Great to Great
16'Swell to Great
8'Swell to Great
4'Swell to Great
16'Choir to Great
8'Choir to Great
4'Choir to Great
  • Position: In Center Chambers at the Front of the Room. No Visible Pipes
  • Notes: Swell is contained in an arched alcove fronted by wooden casework that projects two or so feet from the wall.
  • Notes: The 1999 spec groups the Dolce and Celeste on to one stopknob. Possibly to free up a knob for the 1999 16' Digital Bourdon.
  • Notes: 1' starting pitch
  • Notes: 1/2 length resonators
Swell (III - Expressive)🛈
8'Gedeckt61
8'Viola61
8'Viola Celeste55
8'Flauto Dolce (EC)PF
8'Flauto Dolce Celeste (EC)🛈PF
4'Principal61
4'Natchthorn61
2 2⁄3'Quint61
2'Octave61
2'Nachthorn12 from 4'
1 3⁄5'TerzPF
1 1⁄3'Quint7 from 2 2/3
IVScharff🛈244
16'Basson🛈12 from Hautbois
8'Trompette61
8'Hautbois61
8'Vox Humana (EC)PF
4'Clarion12 from Trompette
Tremulant
16'Swell to Swell
Swell Unison Off
4'Swell to Swell
16'Choir to Swell
8'Choir to Swell
4'Choir to Swell
8'Great to Swell
Swell Unison Off
  • Position: Pipes Exposed (in Whole or in Part) at the Front of the Room
  • Notes: The 1999 spec groups the Dolce and Celeste on to one stopknob. Possibly to free up a knob for the 1999 4' Nachthorn borrow.
Choir (I)🛈
16'Quintaton61
8'Flute HarmoniquePF
8'Rohrflote (GT)
8'Quintaton12 from 16'
8'Gemshorn61
8'Viola (SW)
8'Viola Celeste (SW)
8'Holzgedeckt (EC)PF
8'Flauto Dolce (EC)PF
8'Flauto Dolce Celeste (EC)🛈PF
4'Koppelflote (GT)
2 2⁄3'Nasat (GT)
2'Koppelflote (GT)
1 3⁄5'Terz (GT)
8'BombardePF
8'Tromptete (GT)
8'CromornePF
8'Vox Humana (EC)PF
Tremulant
16'Choir to Choir
4'Choir to Choir
16'Swell to Choir
8'Swell to Choir
4'Swell to Choir
8'Great to Choir
4'Great to Choir
  • Position: Pipes Exposed (in Whole or in Part) at the Front of the Room
  • Notes: Actually the spec lists the pipes as being in the Choir, rather than the Great.
Pedal🛈
32'SubbassPF
32'Resultant from Subbass
16'Principal12 Gt Principal
16'Subbass32
16'Echo Bourdon (EC)PF
16'Quintaton (GT)🛈
8'Octave32
8'Bourdon12 from Subbass
8'Holzgedeckt (EC)PF
8'Gemshorn (CH)
4'Choralbass12 from 8' Octave
4'Flute Harmonic (CH)PF
IVMixturePF
32'PosauneDIG from 16'
32'BassonDIG from SW 16'
16'Posaune12 GT Trompette
16'Basson (SW)
8'Trompete (GT)
8'Hautbois (SW)
4'Klarine (GT) GT Trompete
4'Cromorne (CH)PF
ChimesPF
8'Great to Pedal
4'Great to Pedal
8'Swell to Pedal
4'Swell to Pedal
8'Choir to Pedal
4'Choir to Pedal