Position: In a Gallery-Level Case at the Rear of the Room
Chest Action: Direct Electric (Wicks)
Stop Action: Electric
Notes: Great Division is enclosed with the Swell and pedal in the same case/chamber in the back center of the room in the gallery.
16'
Salicional
Notes: Not a full extension, as labeled TC on the stop key on the console.
SW
8'
Diapason
Notes: Originally, the former Vogelpohl & Spaeth 1896 8' Open Diapason.
59
8'
Wald Flute
Notes: New pipework added by Wicks during the organ rebuild in 1946.
61
8'
Gedeckt
Notes: Borrowed from Swell Division. Lower octave pipework of the Gedeckt looks to be very old and looks to extend into the pedal. May possibly be an extension of the 16' Leblich Gedeckt on the Swell. Higher octave pipework looks to be newer, added by Wicks to be unified with the rest of the flutes on the swell.
SW
8'
Celeste
Notes: Borrowed and extended a rank from Swell 8' Celeste. Unknown where the second rank of the Celeste comes from in the chamber.
SW
4'
Octave
Notes: Extension of 8' Diapason on the Great. The original Vogelpohl & Spaeth organ indicates a 4' octave rank. Likely, Wicks combined both the original 8' Diapason and 4' Octave from the Vogelpohl & Spaeth together when the organ was completely rebuilt in 1946.
GT
4'
Celeste
Notes: Borrowed and an extension of Swell 8' Celeste, and added a rank down to a 4-foot pitch. Stop labeled saying barrowed from Swell and indicating 2 ranks.
SW
2 2⁄3'
Twelfth
Notes: New Rank either added by Wicks in 1946 or possibly during the rebuild in 2015 by Robert D Hoppe. Pipework looks to be newer than the rest in the organ.
61
2'
Fifthteenth
Notes: Uses the same rank as the 2' 2/3 Twelfth but plays at 2' pitch.
GT
1 3⁄5'
Seventeenth
Notes: Borrowed from Swell 1' 3/5 Tierce
SW
1 1⁄3'
Nineteenth
Notes: Borrowed from either Diapason Rank or possibly from 2 2/3 Twelfth Rank. Using this stop in combination with the 2 2/3 and 2-foot stops kind of creates a mixture effect.
8'
English Horn
Notes: Borrowed from Swell Manual
SW
Chimes
MIDI Orch Voice
DIG
8'
Swell to Great
4'
Swell to Great
Swell (II - Expressive)
Position: In a Gallery-Level Case at the Rear of the Room
Chest Action: Direct Electric (Wicks)
Stop Action: Electric
16'
Lieblich Gedeckt
Notes: Original 16' Lieblich Gedeckt from Vogelpohl & Spaeth, due to the age of the pipework, looking very old. Borrowed down into the Pedal also at the same pitch.
46
8'
Violin Diapason
Notes: Added to the Organ in 1946 by Wicks. It is also borrowed down into the Pedal at 8' and 4' pitch and labeled Octave and Tenor Octave.
59
8'
Gedeckt
Notes: This is an interesting layout based on how it's laid out in the chamber. A lot of the Flutes being the (8' Gedeckt, 4' Rohr Flute, 2' Block Flute, & 1' Salicet) are unified together into 1 row in the chamber. Believed Wicks unified all the flutes together from the original organ.
SW
8'
Salicional
Notes: Looks to be New Salicional pipework from Wicks in the 1946 rebuild that replaced the original Salicional pipework from the old 1896 organ.
61
8'
Celeste
Notes: Labeled and stamped as a Dulciana on the pipes. Unknown if Wicks could have reused the old Dulciana pipework and revoiced it as a Celeste, or used an old rank of Dulciana pipes from their own inventory and turned them into a Celeste. Its likey, with what has been seen, this could be the original Dulciana pipework from the old 1896.
61
4'
Principal
Notes: This stop is either borrowed from the Great 4' Octave or an extension of the 4' Violin Diapason.
4'
Rohr Flute
Notes: Unified with the 8' Gedeckt to give it its lower octave. The higher octave extends into the 2' Block Flute. Middle Pipework for this stop is Rohr Flute pipework and looks to possibly be original from the 1896 organ.
Gedeckt
2 2⁄3'
Nazard
Notes: Borrows and uses a combination of the 4' Rohr Flute & 2' Block Flute, playing at 2 2/3 pitch.
Rohr Flute
2'
Block Flute
Notes: Unified and extended from the 4' Rohr Flute and 1' Salicet
Rohr Flute
1 3⁄5'
Tierce
Notes: Uses the Swell 8' Celeste pipework starting at middle E. Looking closely at how it's laid out in the chest in the organ chamber, it looks like a pipe or two may have been damaged and replaced during the 2015 rebuild.
Celeste
1'
Salicet
Notes: Unified and borrowed from the Swell 2' Block Flute
Block Flute
16'
English Horn
Notes: Extension of the 8' English Horn, but not a full extension. Labeled with TC on the stop key.
English Horn
8'
English Horn
61
Tremolo
MIDI Orch Voice
DIG
Pedal (Expressive)
Position: In a Gallery-Level Case at the Rear of the Room
Chest Action: Direct Electric (Wicks)
Stop Action: Electric
Notes: The pedal division is enclosed with the Swell and pedal in the same case/chamber in the back center of the room in the gallery.
32'
Resultant
Notes: Uses and draws in 16' Bourdon along with either the 16' Open Bass or 16' Lieblich Gedeckt to create a 32' pitch
16'
Open Bass
Notes: Borrowed and extended from Swell 8' Violin Diapason
SW
16'
Bourdon
Notes: Replaced old 16' Bourdon from the 1896 organ. New Bourdon pipes were added by Wicks in 1946.
32
16'
Lieblich Gedeckt
Notes: Borrowed from the Swell into the pedal.
SW
8'
Diapason
Notes: Borrowed from the Swell 8' Violin Diapason.
SW
8'
Flute
10 Bourdon
4'
Tennor Octave
Notes: Uses Swell 8' Violin Diapason pipework and extends it down to 4 foot in the pedal.
SW
4'
English Horn
Notes: Full extension of Swell 8' English Horn in the pedal.