Rebuilt byBuhl Organ Co. (1938)

Originally M. P. Möller(Opus 2728, 1919)

Christ Church, Episcopal (Sanctuary)

Rochester, NY, US

Great (II)
  • Position: In Side Chambers at the Front of the Room. Facade Pipes or Case Front Visible
  • Chest Action: Electro Pneumatic (Details Unknown)
  • Stop Action: Pneumatic (Electro Pneumatic)
  • Notes: 4 1/2" WP, except Tubas
16'Diapason
  • Notes: 12 wood, 73 metal
61
8'Diapason-1
  • Notes: 12 wood, 49 metal
61
8'Diapason-2
61
8'Diapason
  • Notes: Ext. 16' Diapason
12
8'Keraulophone
 CH
8'Flute
  • Notes: metal
61
4'Octave-1
  • Notes: metal
61
4'Diapason
  • Notes: Ext. 16' Diapason
12
4'Flute
  • Notes: metal
61
2 2⁄3'Twelfth
  • Notes: metal
61
2'Fifteenth
  • Notes: metal
61
IISesquialtera
  • Notes: 12-17
122
VMixture
  • Notes: 15-19-22-26-29@CC, 8-12-15-19-22@c1, 1-4-8-12-15@f#2 (The "4" in the 3rd break was copied verbatim from the published spec. Hopefully it was actually "5".)
305
16'Tuba
61
8'Tuba Mirabilis
  • Wind Pressure: 10"
  • Notes: located in Swell Chamber
61
8'Tuba
  • Wind Pressure: 10"
  • Notes: Ext. 16' Tuba. Located in Swell chamber
12
4'Tuba
  • Notes: Ext. 16' Tuba
12
Chimes
  • Notes: 20 Tubes
16'Swell to Great
8'Swell to Great
4'Swell to Great
16'Choir to Great
8'Choir to Great
4'Choir to Great
Swell (III - Expressive)
  • Position: In Side Chambers at the Front of the Room. No Visible Pipes
  • Chest Action: Electro Pneumatic (Details Unknown)
  • Stop Action: Pneumatic (Electro Pneumatic)
  • Notes: Located in church tower, speaks through a grille into the chancel. 4 1/2" WP
16'Bourdon
  • Notes: wood
61
8'Diapason
  • Notes: 8 wood, 65 metal
73
8'Stopped Flute
  • Notes: wood
73
8'Bourdon
  • Notes: Ext. 16' Bourdon
12
8'V. D'Orchestre
  • Notes: metal
73
8'Salicional
  • Notes: metal
73
8'Voix Celeste
  • Notes: metal
73
8'Aeoline
  • Notes: metal
73
4'Octave
  • Notes: metal
73
4'Flute
  • Notes: The spec states 73wm. Don't know if this is a typo, or if there are some number of wood and metal pipes. In other cases, the specific number of wood and metal pipes is called out.
73
4'Violina
  • Notes: metal
73
2 2⁄3'Gemshorn
  • Notes: metal
61
2'Bourdon
  • Notes: Ext. 16' Bourdon
24
IVMixture
  • Notes: 15-19-22@CC, 8-12-15-22@d1, 1-8-12-15@a2
216
16'Tuba
 GT
16'Contra Fagotto
73
8'Tuba Mirabilis
 GT
8'Tuba
  • Notes: The spec lists this stop as being borrowed from the Choir, but this is likely a typo as the Tuba is actually a Great rank - even though actually enclosed in the Swell.
 GT
8'Trumpet
73
8'Oboe
73
8'Vox Humana
73
4'Tuba
 GT
4'Contra Fagotto
  • Notes: Ext. 16' Contra Fagotto
24
Tremulant
8'Great to Swell
  • Notes: The spec states: "For fourth-manual effect."
16'Swell to Swell
Swell Unison Off
4'Swell to Swell
Choir (I - Expressive)
  • Position: In Side Chambers at the Front of the Room. No Visible Pipes
  • Chest Action: Electro Pneumatic (Details Unknown)
  • Stop Action: Pneumatic (Electro Pneumatic)
  • Notes: 4 1/2" WP
16'Keraulophone
  • Notes: metal
61
8'English Diapason
  • Notes: metal
73
8'Keraulophone
  • Notes: Ext. 16' Keraulophone
12
8'Melodia
  • Notes: wood
73
8'Quintadena
  • Notes: metal
73
8'Gemshorn
  • Notes: metal
73
8'Dolce
  • Notes: metal
73
8'Unda Maris tc
61
4'Keraulophone
  • Notes: Ext. 16' Keraulophone
12
4'Flute D'Amour
73
2 2⁄3'Keraulophone
  • Notes: Ext. 16' Keraulophone
12
2'Piccolo
  • Notes: metal
73
8'French Horn
73
8'Clarinet
73
Tremulant
Harp
  • Notes: 49 Bars
16'Swell to Choir
8'Swell to Choir
4'Swell to Choir
16'Choir to Choir
4'Choir to Choir
Pedal
  • Position: In Side Chambers at the Front of the Room. Facade Pipes or Case Front Visible
  • Chest Action: Electro Pneumatic (Details Unknown)
  • Stop Action: Pneumatic (Electro Pneumatic)
  • Notes: 4 1/2" WP
32'Bourdon
  • Notes: wood, first 5 pipes are polyphoned
39
16'Diapason
  • Notes: wood
32
16'Diapason
  • Notes: This is the second Diapason of the Pedal, but most likely borrowed from the Great Diapason-3, which has a 16' octave.
 GT
16'Bourdon
  • Notes: Ext. 32' Bourdon
12
16'Keraulophone
 CH
16'Violone
  • Notes: metal
32
8'Diapason
  • Notes: Ext. 16' Diapason
12
8'Diapason
  • Notes: The spec is silent on which of the 3 Great Diapasons is being borrowed. It is likely Diapason-3, as it must have been built on a unit chest to enable all of its other borrows.
 GT
8'Keraulophone
 CH
8'Violone
  • Notes: Ext. 16' Violone
12
5 1⁄3'Keraulophone
 CH
4'Bourdon
 SW
IIIMixture
  • Notes: 15-19-22, metal
96
16'Tuba
 GT
16'Contra Fagotto
 SW
4'Tuba
 GT
8'Great to Pedal
8'Swell to Pedal
4'Swell to Pedal
8'Choir to Pedal
4'Choir to Pedal