Morey & Barnes (Opus 162, 1895)

Unitarian-Universalist / "The Cobblestone Church"

Cortland, NY, US

GREAT
  • Notes: 58 notes, all ranks full compass
8'Open Diapason *
  • Notes: spotted, slotted; 15 in facade
8'Dulciana
  • Notes: spotted, slotted; 10 in facade
8'Melodia
  • Notes: open wood; 12 stopped wood basses
4'Principal
  • Notes: spotted, slotted; basses offset
4'Flute Harmonique
  • Notes: spotted, slotted, harmonic from c25
2'Super Octave
  • Notes: spotted, slotted
SWELL
  • Notes: 58 notes, enclosed
8'Open Diapason
  • Notes: 58 pipes; spotted, slotted, 12 stopped wood basses
8'Aeoline
  • Notes: 58 pipes; spotted, slotted, 12 capped metal basses
8'Stopped Diapason
  • Notes: 58 pipes; stopped wood, bored stoppers, 9 open metal trebles
4'Octave
  • Notes: 58 pipes; spotted, coned
2'Flageolet *
  • Notes: 58 pipes; restored in 1975 by A. R. Strauss, replacing a spurious TC Dulciana tuned as a celeste; spotted, recycled old pipes
8'Oboe
  • Notes: 46 pipes; spotted on zinc, 9 open metal trebles, low C signed: "Nov. 1st 1894/C.H. Moore/voicer"
PEDAL
  • Notes: 27 notes
16'Sub Bass
  • Notes: 27 pipes; a single 27-pipe rank of stopped wood on a chest with two sliders
16'Bourdon
COUPLERS
Swell to Great
Great to Pedal
Swell to Pedal
PEDAL MOVEMENTS
Great P
Great F
Signal
  • Notes: (knob and shank missing)