Glendive, Montana
Glendive Methodist Episcopal Church

Wicks Organ Co., Opus 711, 1924
built for Sherman Clay & Co., San Francisco Cal.
Harold B. Curryer, 1980's - Solid State Relay & Comb. Action

GREAT (Expressive)               SWELL (Expressive)              PEDAL (Expressive)
   16 Double Open Diapason          16    Bourdon                   16 Bourdon
   8  First Open Diapason           8     Open Diapason             8  Principal
   8  Second Open Diapason          8     Stop Diapason             8  Diapason
   8  Viola d'Gamba                 8     Salicional                8  Gedeckt
   8  Clarabella                    8     Vox Celeste               8  Cello
   8  Dulciana                      8     Aeoline                   4  Choral Bass 
   4  Octave                        4     Flute                     8  Oboe
   2  Fifteenth                     4     Fugara
      Chimes                        2-2/3 Nazard
   Great to Great 4                 2     Piccolo
                                    8     Oboe 
                                          Tremulant
                                    Swell to Swell 4

STOP / RANK / PIPE ANALYSIS
   16    Double Open Diapason    (Gt)  --  From the 8' Second Open Diapason.
                                           Tenor C.
   16    Bourdon                (Ped)  12  Extension of the 8' Stop Diapason.
                                           Unexpressive.
   16    Bourdon                 (Sw)  --  From the 8' Stop Diapason. Tenor C.
   8     First Open Diapason     (Gt)  61  Unexpressive. 1-17 en façade.
   8     Principal              (Ped)  --  Same as the 8' First Open Diapason.
   8     Second Open Diapason    (Gt)  61
   8     Open Diapason           (Sw)  --  Same as the 8' Second Open Diapason.
   8     Diapason               (Ped)  --  Same as the 8' Second Open Diapason.
   8     Stop Diapason           (Sw)  61
   8     Clarabella              (Gt)  --  Same as the 8' Stop Diapason.
   8     Gedeckt                (Ped)  --  Same as the 8' Stop Diapason.
   8     Salicional              (Sw)  61  
   8     Viola d'Gamba           (Gt)  --  Same as the 8' Salicional.
   8     Cello                  (Ped)  --  Same as the 8' Salilional.
   8     Vox Celeste             (Sw)  --  Prepared for.
   8     Dulciana                (Gt)  61
   8     Aeoline                 (Sw)  --  Same as the 8' Dulciana.
   4     Octave                  (Gt)  12  Extension of the 8' Second Open Diapason.
   4     Choral Bass            (Ped)  --  Same as the 4' Octave.
   4     Flute                   (Sw)  12  Extension of the 8' Stop Diapason.
   4     Fugara                  (Sw)  12  Extension of the 8' Salicional.
   2-2/3 Nazard                  (Sw)  --  From the Stop Diapason unit.
   2     Fifteenth               (Gt)  --  Extension of the 8' Second Open Diapason.
   2     Piccolo                 (Sw)  12  Extension of the 8' Stop Diapason.
   8     Oboe                    (Sw)  --  Synthetic. Derived from the 8' Sali-
                                           cional and 2-2/3 Nazard.
   8     Oboe                   (Ped)  --  Prepared for.
         Tremulant               (Sw)  --  Affects the entire instrument.
         Chimes                  (Gt) (25) Deagan. Compass: Tenor G thru g 44.

PIPE SUMMARY
   First Open Diapason.................61
   Second Open Diapason................85
   Bourdon/Stop Diapason...............97
   Salicional..........................73
   Dulciana............................61

FINGER PISTONS
   General                          1 - 5
   Swell                            1 - 5
   Great                            1 - 5
   GC

TOE STUDS
   None

PEDAL MOVEMENTS
   Expression                      (bal.)
   Crescendo                       (bal.)

ACTION: Direct-Electric ™ unit
VOICES: 5
STOPS: 26; inc. chimes
RANKS: 5
PIPES: 377

[Received on line from James R. Stettner June 14, 2009.]