Boston, Massachusetts
Holy Trinity German Catholic Church
E. & G.G. Hook & Hastings, No. 858, 1877
Conrad Olsen, 1957 (former Hook employee) - Electrify & Rebuild
1877 Hook pipework repitched lower and reused, except as noted.
GREAT 68 mm pressure
8' Open Diapason 61 (1957)
8' Viola da Gamba 61 (tin)
8' Doppel Flute 61
8' Gemshorn 61
4' Octave 61
4' Flute Traverse 61 (metal)
2 2/3' Twelfth 61
2' Fifteenth 61
IV Cymbale 244 (1957; 1 1/3', breaks on c's)
8' Trumpet 61 (1957; 1-12 old Sw. Cornopean)
Great to Great 16'
Great Release
Great to Great 4'
SWELL (Expressive) 68 and 70 mm
8' Open Diapason 61
8' Stopped Diapason 61
8' Salicional 61 (tin)
4' Octave 61
4' Harmonic Flute 61 (wood)
2 2/3' Nazard 61 (1957)
2' Flautino 61 (1957)
IV Mixture 244 (1957; 2', breaks on c's)
8' Cornopean 61 (1957)
8' Oboe 61 (1957)
Tremolo
Swell to Swell 16'
Swell Release
Swell to Swell 4'
SOLO 80 mm
8' Geigen Principal 61 (1957)
8' Dulciana 61
4' Flute d'Amour 61 (wood)
2' Piccolo 61
8' Clarinet 61
8' Cor Anglais 61 (formerly at 16')
Tremolo
Solo to Solo 16'
Solo Release
Solo to Solo 4'
PEDAL 108 mm
32' Resultant -- (from Bourdon)
16' Contra Bass 32 (1957)
16' Bourdon 32
16' Lieblich Gedeckt 32 (1877 Swell)
8' Octave 32 (1877 facade and Gr. Diapasons)
8' Gross Flute 12 (ext. Bourdon using Gr. Hohlflote trebles)
8' Cello 12 (ext. Contra Bass)
8' Gedeckt 12 (ext. Lieblich)
5 1/3' Quint -- (ext. Lieblich)
4' Principal 12 (ext. Octave)
4' Flute 12 (ext. Lieblich)
16' Posaune 32 (1957)
8' Trumpet 12 (ext. Posaune)
COUPLERS
Swell to Pedal 8, 4
Great to Pedal 8, 4
Solo to Pedal 8, 4
Swell to Great 16, 8, 4
Solo to Great 16, 8, 4
Swell to Solo 16, 8, 4
FINGER PISTONS (hold and set)
General 0, 1 - 5
Swell 0, 1 - 5
Great 0, 1 - 5
Solo 0, 1 - 5
Sfz. (rev)
Gen Can
TOE STUDS
Pedal 0, 1 - 5
Gt. to Ped. (rev)
Sforzando (rev)
PEDAL MOVEMENTS
Swell Expression (bal.)
Crescendo (bal.)
ACTION: E-P
VOICES: 31
STOPS: 39
RANKS: 37
PIPES: 2,344