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| Great (II)🛈 | ||
| 16' | Quintaden | 56 |
| 8' | Prinzipal | 56 |
| 8' | Rohrflöte | 56 |
| 4' | Oktav | 56 |
| 4' | Spitzflöte | 56 |
| 2 2⁄3' | Quinte | 56 |
| 2' | Oktav | 56 |
| V | Cornet 8 [tc] | 185 |
| V | Mixtur 1⅓ | 280 |
| 16' | Dulzian | 56 |
| 8' | Trompete | 56 |
| Swell to Great | ||
| Positiv to Great |
| Swell (III - Expressive)🛈 | ||
| 8' | Salizional | 56 |
| 8' | Vox Coelestis | 56 |
| 8' | Gedecktflöte | 56 |
| 4' | Offenflöte | 56 |
| 2' | Gemshorn | 56 |
| III | Sesquialtera 2⅔ | 168 |
| III | Kleinmixtur 1 | 168 |
| 8' | Oboe | 68 |
| 8' | Vox Humana | 56 |
| Tremulant |
| Positiv (I)🛈 | ||
| 8' | Metallgedackt | 56 |
| 4' | Prinzipal | 56 |
| 4' | Koppelflöte | 56 |
| 2 2⁄3' | Nasat | 56 |
| 2' | Oktav | 56 |
| 2' | Blockflöte | 56 |
| 1 3⁄5' | Terz | 56 |
| 1 1⁄3' | Quintflöte | 56 |
| IV | Scharf 1 | 224 |
| III | Zimbel ¼ | 168 |
| 8' | Krummhorn | 56 |
| Tremulant |
| Pedal🛈 | ||
| 16' | Prinzipal | 32 |
| 16' | Subbass | 32 |
| 8' | Oktav | 32 |
| 8' | Bordun | 32 |
| 4' | Choralbass | 32 |
| 4' | Rohrpfeife | 32 |
| 2' | Nachthorn | 32 |
| V | Mixtur 2 | 160 |
| 16' | Posaune | 32 |
| 16' | Fagott | 32 |
| 8' | Trompete | 32 |
| 4' | Schalmei | 32 |
| Swell to Pedal | ||
| Great to Pedal | ||
| Positiv to Pedal |
FINGER PISTONS: General 1-6, Swell 1-6, Swell to Pedal (rev), Swell to Great (rev), Great 1-6, Great to Pedal (rev), Positiv 1-6, Positiv to Pedal (rev), Positiv to Great (rev), Pedal 1-6, Setter, Cancel; TOE STUDS: General 1-6, Pedal 1-6, Positiv to Pedal (rev), Great to Pedal (rev), Positiv to Great (rev); PEDAL MOVEMENTS: Swell Expression (bal.).
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This entry represents the installation of a new organ. Identified by Riley Wes Mitchell from information furnished by Casavant Frères, courtesy of Simon Couture.
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