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The only stop unique to the Great is the 8' Diapason. It stands on a single-stop pitman chest in front of the Choir shades. The Second Diapason included on the stop list would have been duplexed from the Swell. The knobs for all the duplexed stops, except for the 8' Gedeckt, were repurposed for Balcom and Vaughan's 1955 additions to the Great. In recent years solid-state switching, including cutouts for the key actions, has been added to the Great to reduce noise and wear on the key contacts.
Updated through online information from James R. Stettner.
Updated through information adapted from E. M. Skinner/Aeolian-Skinner Opus List, by Sand Lawn and Allen Kinzey (Organ Historical Society, 1997), and included here through the kind permission of Sand Lawn: Some tonal additions in 1955 by Balcom & Vaughan; releathered and some tonal changes by Herb Huestis in 1978; some tonal changes reversed by René Marceau; extant.
Webpage Links: Opus 224: First Presbyterian Church
Related Instrument Entries: Balcom and Vaughan (1955) , René Marceau , Herbert L. Huestis (1978)
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