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| Great (II - Expressive) | ||
| 8' | Open Diapason | 61 |
| blank | ||
| 8' | Dulciana | CH |
| blank | ||
| 4' | Octave | 61 |
| blank | ||
| blank | ||
| blank | ||
| blank | ||
| blank | ||
| Chimes | PF | |
| 16' | Great to Great | |
| Great Unison Off | ||
| 4' | Great to Great | |
| 16' | Swell to Great | |
| 8' | Swell to Great | |
| 4' | Swell to Great | |
| 16' | Choir to Great | |
| 8' | Choir to Great | |
| 4' | Choir to Great |
| Swell (III - Expressive) | ||
| 16' | Lieblich Gedeckt | 12 |
| blank | ||
| 8' | Stopped Flute | 61 |
| 8' | Salicional | 73 |
| 8' | Voix Celeste [tc] | 61 |
| 4' | Flute | 12 |
| 4' | Salicet | 12 |
| 2 2⁄3' | Nasard | 7 |
| 2' | Flautino | 5 |
| blank | ||
| blank | ||
| blank | ||
| 8' | Vox Humana | 61 |
| Tremolo | ||
| 16' | Swell to Swell | |
| Swell Unison Off | ||
| 4' | Swell to Swell |
| Choir (I - Expressive) | ||
| blank | ||
| 8' | Concert Flute | 61 |
| 8' | Dulciana | 61 |
| blank | ||
| 4' | Flute | 12 |
| 4' | Dulcet | 12 |
| 2 2⁄3' | Dolce Twelfth | 7 |
| 2' | Dolcetina | 5 |
| blank | ||
| blank | ||
| Tremolo | ||
| 16' | Choir to Choir | |
| Choir Unison Off | ||
| 4' | Choir to Choir | |
| 16' | Swell to Choir | |
| 8' | Swell to Choir | |
| 4' | Swell to Choir |
| Pedal | ||
| 32' | Resultant | |
| 16' | Bourdon | 32 |
| 16' | Lieblich Gedeckt | SW |
| blank | ||
| 8' | Bourdon | 12 |
| 8' | Gedeckt | SW |
| 4' | Block Floete | 12 |
| 8' | Swell to Pedal | |
| 4' | Swell to Pedal | |
| 8' | Great to Pedal | |
| 4' | Great to Pedal | |
| 8' | Choir to Pedal |
FINGER PISTONS: General 1-6, Swell 1-6, Great 1-6, Choir 1-6; TOE STUDS: Undocumented; PEDAL MOVEMENTS: Gt/Ch Expression (bal.), Swell Expression (bal.), Crescendo (bal.).
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This entry represents the installation of a new organ. Identified through on-line information from James R. Stettner. -- The organ was installed with a minimalist stoplist, and many prepared-for registers. These were added over the years. Most of the stoptabs for speaking stops were white. Reed voices were red. And couplers were black. Installed in a single chamber on the right wall of the chancel behind a pipe case/grille. Console directly beneath. When the organ was replaced in 1983 with a new Casavant, it is reported to have been moved to a church in Texas.
Verified with the Kilgen opus list.
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