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| Great (II) | ||
| 16' | Double Diapason | Diapason |
| 8' | Diapason | 73 |
| 8' | Harmonic Flute | 73 |
| 4' | Octave | 61 |
| 4' | Harmonic Flute | Harm Flute |
| 2 2⁄3' | Twelfth | 61 |
| 2' | Fifteenth | 61 |
| 1 3⁄5' | Seventeenth | 61 |
| IV | Mixture | 244 |
| 8' | Trumpet | 61 |
| 16' | Great to Great | |
| Great Unison Off | ||
| 4' | Great to Great | |
| 16' | Swell to Great | |
| 8' | Swell to Great | |
| 4' | Swell to Great | |
| Swell to Great Melody | ||
| 16' | Choir to Great | |
| 8' | Choir to Great | |
| 4' | Choir to Great |
| Swell (III - Expressive) | ||
| 16' | Bourdon | Bourdon |
| 8' | Open Diapason | 61 |
| 8' | Bourdon | 73 |
| 8' | Gamba | 61 |
| 8' | Voix Celeste | 49 |
| 4' | Principal | 61 |
| 4' | Wald Flute | 61 |
| 2' | Doublette | 61 |
| 1 1⁄3' | Quint | 61 |
| IV | Plein Jeu | 244 |
| III | Cornet | 120 |
| 16' | Bassoon | Oboe |
| 8' | Tuba | 61 |
| 8' | Oboe | 73 |
| 16' | Swell to Swell | |
| Swell Unison Off | ||
| 4' | Swell to Swell |
| Choir (I - Expressive) | ||
| 8' | Open Flute | 61 |
| 8' | Gamba | SW |
| 8' | Voix Celeste | SW |
| 4' | Principal | 61 |
| 4' | Gedeckt | 61 |
| 2 2⁄3' | Nazard | 61 |
| 2' | Block Flute | 61 |
| 1 3⁄5' | Tierce | 61 |
| 8' | Tuba | SW |
| 8' | Clarinet | 61 |
| 16' | Choir to Choir | |
| Choir Unison Off | ||
| 4' | Choir to Choir | |
| 16' | Swell to Choir | |
| 8' | Swell to Choir | |
| 4' | Swell to Choir |
| Pedal | ||
| 32' | Resultant | |
| 16' | Contre Basse | |
| 16' | Sub Bass | |
| 16' | Bourdon | from Sw. Bourdon |
| 8' | Diapason | |
| 8' | Bourdon | from Sw. Bourdon |
| 8' | Gamba | from Sw. Gamba |
| 4' | Choral Bass | |
| 4' | Flute | from Gt. 4' Flute |
| 2' | Octave | |
| III | Mixture | 96 |
| 8' | Trumpet | GT |
| 8' | Oboe | SW |
| 4' | Clarion | GT |
| 4' | Clarinet | CH |
| 8' | Swell to Pedal | |
| 4' | Swell to Pedal | |
| 8' | Great to Pedal | |
| 4' | Great to Pedal | |
| 8' | Choir to Pedal | |
| 4' | Choir to Pedal |
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This was the conversion of the console and electro-mechanical relays to Syndyne solid state. Tonal changes were also made as a part of the project, and the stoplist was re-specified. The organ has a long, evolutionary history which will be available on this account in the Documents section.
Related Instrument Entries: Frans W. M. Bosman (2000) , Balcom & Vaughan Pipe Organs (Opus 796RB, 1973) , Balcom and Vaughan (1933) , Puget Sound Pipe Organs (1999)
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