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| Great (II) | ||
| 16' | Sub Principal | PED |
| 16' | Quintade | |
| 8' | Principal | |
| 8' | Second Principal | PED |
| 8' | Holz Gedackt | |
| 8' | Spitz Flote | |
| 4' | Octave | |
| 4' | Flute | |
| 2 2⁄3' | Twelfth | |
| 2' | Fifteenth | |
| lV | Fourniture | |
| lll | Scharff | |
| ll' | Sesquialtera | |
| 8' | Trumpet | PED |
| 4' | Clarion | PED |
| 16' | Contra Tuba | CH |
| 8' | Tuba Mirabilis | CH |
| 4' | Tuba Clarion | CH |
| 8' | French Horn | CH |
| Carillon 1 | ||
| 16' | Great to Great | |
| Great Unison Off | ||
| 16' | Swell to Great | |
| 8' | Swell to Great | |
| 4' | Swell to Great | |
| 16' | Choir to Great | |
| 8' | Choir to Great | |
| 4' | Choir to Great | |
| 16' | Antiphonal to Great | |
| 8' | Antiphonal to Great | |
| 4' | Antiphonal to Great | |
| 16' | Positiv to Great | |
| 8' | Positiv to Great | |
| MIDI on great |
| Swell (III - Expressive) | ||
| 16' | Gemshorn | |
| 8' | Geigen | |
| 8' | Gedact | |
| 8' | Viola De Gamba | |
| 8' | Viole Celeste | |
| 8' | Flute Celeste | |
| 4' | Octave Geigen | |
| 4' | Nacht Horn | |
| 2' | Octavian | |
| 2' | Plein Jeu IV | |
| 16' | Hautbois | |
| 8' | Trompette | |
| 8' | Oboe | |
| 8' | Vox Humana | |
| 4' | Clarion | |
| 8' | French Horn | CH |
| Chimes | ||
| Tremulant | ||
| 16' | Swell to Swell | |
| Swell Unison Off | ||
| 4' | Swell to Swell | |
| 16' | Antiphonal to Swell | |
| 8' | Antiphonal to Swell | |
| 4' | Antiphonal to Swell | |
| Positiv on Swell | ||
| MIDI on Swell |
| Choir (I - Expressive) | ||
| 8' | Cor De Nuit | |
| 8' | Viola Pomposa | |
| 8' | Viola Celeste | |
| 8' | Ezrahler Celeste II | |
| 4' | Koppel flute | |
| 4' | Fugara | |
| *Blank* | ||
| *Blank* | ||
| 2 2⁄3' | Nazard | |
| 2' | Block Flute | |
| 1 3⁄5' | Tierce | |
| 16' | English Horn | |
| 8' | Cromorne | |
| 4' | Rohr Schalmei | |
| Tremulant | ||
| 8' | Trumpet | PED |
| 16' | Contra Tuba | |
| 8' | Tuba Mirabilis | |
| 4' | Tuba Clarion | |
| 8' | French Horn | |
| Carillon ll | ||
| 16' | Choir to Choir | |
| Choir Unison Off | ||
| 4' | Choir to Choir | |
| 16' | Swell to Choir | |
| 8' | Swell to Choir | |
| 4' | Swell to Choir | |
| 16' | Antiphonal to Choir | |
| 8' | Antiphonal to Choir | |
| 4' | Antiphonal to Choir | |
| Positiv on Choir | ||
| Positiv on Choir | ||
| MIDI on Choir |
| Positiv | ||
| 8' | Quintade | |
| 4' | Rohr Flote | |
| 2' | Prinzipal | |
| 1 1⁄3' | Quinte | |
| 1' | Sifflote | |
| lll | Mixtur | |
| *Blank* | ||
| Tremulant |
| Pedal | ||
| 32' | Resultant Bass | |
| 32' | Untarsatz | |
| 16' | Contre Bass | |
| 16' | Sub Principal | |
| 16' | Bourdon | |
| 16' | Gemshorn | SW |
| 16' | Quintade | GT |
| 16' | Flute | CH |
| 8' | Principal | |
| 8' | Spitz Flote | |
| 8' | Pizzicato Bass | |
| 8' | Flute | |
| 8' | Gedact | SW |
| 4' | Choral Bass | |
| 4' | Rohr Flute | |
| 2' | Italian Principal | |
| lll | Mixture | |
| 32' | Bombarde | |
| 16' | Posaune | |
| 16' | Hautbois | SW |
| 8' | Trumpet | |
| 4' | Clarion | |
| 8' | Tuba Mirabilis | CH |
| 8' | Great to Pedal | |
| 8' | Swell to Pedal | |
| 4' | Swell to Pedal | |
| 8' | Choir to Pedal | |
| 4' | Choir to Pedal | |
| 8' | Antiphonal to Pedal | |
| 4' | Antiphonal to Pedal | |
| Positiv on pedal | ||
| MIDI on ped |
| Antiphonal (IV - Expressive) | ||
| 8' | Gedact Pommer | |
| 8' | Gemshorn | |
| 4' | Prestant | |
| lll | Mixture | |
| 8' | Trompette Harmonique | |
| 16' | Contra Tuba | CH |
| 8' | Tuba Mirabilis | CH |
| 4' | Tuba Clarion | CH |
| 8' | French Horn | CH |
| Tremulant | ||
| 16' | Antiphonal to Antiphonal | |
| Antiphonal Unison Off | ||
| 4' | Antiphonal to Antiphonal |
| Antiphonal pedal (Expressive) | ||
| 16' | Bourdon | |
| 8' | Spitz Principal |
Zimbelstern (toe) all swells to swell (rocker Tablet) manual transfer l-ll (rocker tablet) reeds off (thumb) 32-16 off (thumb) Mix's off (thumb) SFZ reversables (thumb & toe)
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Updated through online information from Stephen Hall. -- Quimby replaced the original three manual console with a new four manual, replaced the relay system, and releathered the chests. John Hendrickson made tonal revisions as part of the project. (source: Church Website, accessed April 2015)
Identified through information adapted from E. M. Skinner/Aeolian-Skinner Opus List, by Sand Lawn and Allen Kinzey (Organ Historical Society, 1997), and included here through the kind permission of Sand Lawn:
Tonal changes by Michael Quimby and John Hendrikson to esixting Aeolian-Skinner organ, with new four manual David Harris console; console relocated to St. Matthew's RC, Central Falls, RI.
Webpage Links: First Presbyterian Church of Fort Wayne Music
Related Instrument Entries: Aeolian-Skinner Organ Co. (Opus 1255-B, 1958) , Aeolian-Skinner Organ Co. (Opus 1255-A, 1956) , Aeolian-Skinner Organ Co. (Opus 1255, 1953) , Estey Organ Co. (Opus 2329, 1925)
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