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| Great (II)🛈 | ||
| 16' | Bourdon | 61 |
| 8' | Prinzipal | 61 |
| 8' | Holflöte | 61 |
| 4' | Oktave | 61 |
| IV | Mixtur | 244 |
| 8' | Trompete | 61 |
| 16' | Great to Great | |
| 4' | Great to Great |
| Positiv (I)🛈 | ||
| 8' | Gedackt | 61 |
| 4' | Prinzipal | 61 |
| 4' | Koppelflöte | 61 |
| 2' | Gemshorn | 61 |
| 1 1⁄3' | Quintflöte | 61 |
| II | Sesquialtera | 122 |
| IV | Scharf | 244 |
| 8' | Krummhorn | 61 |
| Nachtigall | ||
| Tremulant | ||
| 16' | Positiv to Positiv | |
| 4' | Positiv to Positiv |
| Swell (III - Expressive)🛈 | ||
| 8' | Offenflöte | 61 |
| 8' | Salizional | 61 |
| 8' | Vox Coelestis (TC) | 49 |
| 4' | Geigenoktave | 61 |
| 4' | Rohrflöte | 61 |
| 2' | Flachflöte | 61 |
| VI | Grossmixtur | 366 |
| 16' | Fagott | 61 |
| 8' | Oboe | 61 |
| 4' | Klarine | 61 |
| Tremulant | ||
| 16' | Swell to Swell | |
| 4' | Swell to Swell |
| Pedal🛈 | ||
| 16' | Diapason🛈 | 44 |
| 16' | Prinzipal | 32 |
| 16' | Subbass | 32 |
| 10 2⁄3' | Quintbass | Diapason |
| 8' | Oktavbass | 32 |
| 8' | Gedacktpommer | 32 |
| 4' | Choralbass | 32 |
| IV | Mixtur | 128 |
| 16' | Posaune | 32 |
| 8' | Trompete | 32 |
| 4' | Schalmei | 32 |
| 8' | Great to Pedal | |
| 8' | Swell to Pedal |
| ANTIPHONAL🛈 | ||
| 16' | Quintade🛈 | 61 |
| 8' | Prinzipal🛈 | 61 |
| 8' | Rohrflöte🛈 | 61 |
| 4' | Octave🛈 | 61 |
| 2 2⁄3' | Quinte🛈 | 61 |
| 2' | Oktave🛈 | 61 |
| VI | Mixtur🛈 | 366 |
| 8' | Spanische Trompete🛈 | 61 |
| Antiphonal Pedal🛈 | ||
| 16' | Quintade | Ant. Quintade |
Originally Written/Published: 2017
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From the church website: The Antiphonal Organ was installed in the rear balcony in 1972. This organ console consists of one manual and full pedal board. The pipes and chests are mounted on the rear wall on either side of the Samuel F. Kerfoot stained glass window. It contains 8 stops, 13 ranks, and 793 pipes. It can be played from the Chancel Organ console as well as from the console in the balcony. The Chancel Organ, built in 1974, has a console of three manuals and a full pedal board. It has 39 stops, 52 ranks and 3,535 pipes, plus chimes, cymbelstern, and nachtigall. The Great division and part of the Pedal division are placed on either side of the George Henry Bridgman stained glass window on the front (chancel) wall. The Positiv division stands at the base of the same window and above the reredos. The remainder of Pedal division fits in the chamber to the right of the chancel. The Swell division is immediately behind the Pedal division. Two digital stops, 32-foot Sub Bourdon and Posaune, were added to the Pedal division in 1995. It is a memorial to Ellen M. Erickson, given by her daughter and son-in-law, Jean and Wilbur (Chris) Donaldson. In 2000 the combination pistons were enlarged and converted to computerized controls. In 2001 a Nachtigall stop was added. Two new stops (16-foot Diapason and a 10 2/3-foot Quintbass) and forty-four 16-foot open wood pipes were added to the Pedal division in 2014.
Updated through online information from Jeff Scofield. -- The Antiphonal has its own one-manual console and pedal.
Updated by Rae Bolton from information furnished by Casavant Frères, courtesy of Simon Couture.
Identified through online information from Richard C Greene.
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