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| Great (I)🛈 | ||
| 16' | Bourdon Bass | 12 |
| 16' | Bourdon Treble | 46 |
| 8' | Open Diapason | 58 |
| 8' | Melodia | 58 |
| 8' | Dulciana | 58 |
| 4' | Principal | 58 |
| 3' | Twelfth | 58 |
| 2' | Fifteenth | 58 |
| 8' | Trumpet | 58 |
| 8' | Swell to Great |
| Swell (II - Expressive)🛈 | ||
| 8' | Open Diapason | 58 |
| 8' | Viola | 58 |
| 8' | Stopped Diapason | 58 |
| 4' | Flute | 58 |
| 8' | Oboe🛈 | 46 |
| 8' | Bassoon | 12 |
| Pedal🛈 | ||
| 16' | Open Diapason | 27 |
| 8' | Swell to Pedal | |
| 8' | Great to Pedal |
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From the1986 OHS Handbook:
"Pipes of the Bourdon Bass 16' are in the facade, along with those from the Op Diap 'n 8'. The full-compass Trumpet 8' has many mitered basses. The Viola 8' has stopped metal basses; the Violina 4' was repitched some years ago to become a Vox Celeste 8', but it has been returned to its original pitch by Phillip F. Hoenig of Fort Madison, who renovated the organ in 1981."
Identified through online information from Carl McAliley. -- Information from online sources.
Updated through online information from John Igoe.
Updated through online information from Fr. Thomas Szydlik.
Identified through online information from Stephen Hall. -- Information from on-line article in Hancock County Journal-Pilot dated Oct 6, 2009.
Related Instrument Entries: E. & G.G. Hook & Hastings (Opus 779, 1874)
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