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| Great (II)🛈 | ||
| 16' | Violone | POS |
| 8' | Principal | |
| 8' | Harmonic Flute | |
| 8' | Bourdon | |
| 4' | Octave | |
| 4' | Spillflute | |
| 2' | Super Octave | |
| III-IV | Fourniture | |
| 16' | Hautbois | SW |
| 8' | Trumpet | |
| 8' | Hautbois | SW |
| Tremolo | ||
| 8' | Festival Trumpet | |
| Chimes | ||
| Cymbelstern | ||
| 16' | Swell to Great | |
| 8' | Swell to Great | |
| 4' | Swell to Great | |
| 16' | Positiv to Great | |
| 8' | Positiv to Great |
| Swell (III - Expressive)🛈 | ||
| 16' | Rohrflute | |
| 8' | Salicional | |
| 8' | Voix Celeste | |
| 8' | Rohrflute | |
| 8' | Flute Dolce | |
| 8' | Flute Celeste | |
| 4' | Principal | |
| 4' | Nachthorn | |
| 2 2⁄3' | Nazard | |
| 2' | Waldflute | |
| 1 3⁄5' | Tierce | |
| III-IV | Plein Jeu | |
| 16' | Hautbois🛈 | 12 |
| 8' | Trompette | |
| 8' | Hautbois | |
| 8' | Vox Humana | |
| Tremolo | ||
| 16' | Swell to Swell | |
| 4' | Swell to Swell |
| Positiv (I)🛈 | ||
| 8' | Violone | |
| 8' | Gedeckt | |
| 8' | Nachthorn | SW |
| 8' | Flute Celeste II | SW |
| 4' | Spitz Principal | |
| 4' | Rohrflute | SW |
| 2' | Octave | |
| 1 1⁄3' | Quinte | |
| II | Sesquialtera | |
| 8' | Krummhorn | |
| 8' | Hautbois | SW |
| Tremolo | ||
| 8' | Festival Trumpet | GT |
| 16' | Positiv to Positiv | |
| Positiv Unison Off | ||
| 16' | Swell to Positiv | |
| 8' | Swell to Positiv | |
| 4' | Swell to Positiv |
| Pedal🛈 | ||
| 32' | Resultant | |
| 16' | Subbass | 32 |
| 16' | Violone | 12 POS |
| 16' | Rohrflute | SW |
| 8' | Octave | 32 |
| 8' | Subbass🛈 | 12 |
| 8' | Violone | POS |
| 8' | Harmonic Flute | GT |
| 8' | Rohrflute | SW |
| 4' | Choral Bass | |
| 4' | Subbass🛈 | 12 |
| 16' | Double Trumpet | |
| 16' | Hautbois | SW |
| 8' | Festival Trumpet | GT |
| 8' | Trumpet | GT |
| 8' | Hautbois | SW |
| 4' | Krummhorn | POS |
| 8' | Swell to Pedal | |
| 4' | Swell to Pedal | |
| 8' | Great to Pedal | |
| 8' | Positiv to Pedal | |
| 4' | Positiv to Pedal |
[Originally received from Jeff Scofield February 15, 2018; verified and updated by James R. Stettner March 13, 2026]
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Per Jim Tartella on 3-9-2026: The one rank of gold pipes on a red background is actually in the adjoining auditorium. Part of the 1924 Casavant, it was called Processional Diapason and was used to warn the choir to be ready. It hangs in a box over the stage in the social room. Pipes no longer speak (just for decoration now). When the instrument was redone, they were not a part of the upgrade.
Tonal changes and rebuild of 1964 3/32 Moller Op. 9916.
Related Instrument Entries: M. P. Möller (Opus 9916, 1964)
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