Unknown Builder
1937 after

Originally M. P. Möller (Opus 6505, 1937)

Friedens Evangelical and Reformed Church [now Friedens U.C.C.]

Sanctuary; front

522 East Chestnut Street
Hegins, PA, US

8 Ranks - 531 Pipes
Instrument ID: 70077 ● Builder ID: 6193 ● Location ID: 29219
⬆️ These are database IDs that may change. Don't use as academic reference.EXPLORE IMAGESVIEW STOPLIST

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IMAGES

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STOPLISTS

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CONSOLES

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Builder: M. P. Möller
Position: Console in Fixed Position, Right
Design: Traditional With Roll Top
Pedalboard Type: Concave Radiating (Meeting AGO Standards)
Features:
2 Manuals (61 Notes)32 Note Pedal3 Divisions8 Stops18 RegistersElectrical Key ActionElectrical Stop Action✓ Crescendo✓ Combination Thumb Piston(s)✓ Coupler Toe Piston(s)

Stop Layout: Stop Keys Above Top Manual
Expression Type: Balanced Expression Shoes/Pedals (Meeting AGO Standards)
Combination Action: Adjustable Combination Pistons
Control System: Unknown or N/A

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DETAILS

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This instrument is: Extant and Playable in this location

Jim Stettner on July 8th, 2023:

Transplanted note from a related OHS Database entry: Database Manager on August 03, 2009: Updated through on-line information from Jack Umholtz. -- Additional information on stoplist. The Chimes and Vox Humana tabs are a different shade than the rest, and I was told years ago by my organ teacher, who was an organist at Freiden's from 1936 through the early 1970's, that these two stops were not on the instrument originally. They were added after it was installed. The Vox Humana took the place of the Swell Unison Off tab, and the Chimes took the place of the Sw to Gt 16' coupler tab. The Chimes themselves are the first ones I've ever seen that are not only graduated in length for the pitch, but also in diameter: the lower the note, the larger the diameter.


Jim Stettner on July 8th, 2023:

This entry represents tonal additions and alterations to the existing 1937 Moller organ. Identified through online information from Jack Umholtz.

Related Instrument Entries: M. P. Möller (Opus 6505, 1937) , Taylor K. Miller (2014)

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