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| Grand-Orgue (II)🛈 | ||
| 32' | Montre | 61 |
| 16' | Montre | 61 |
| 8' | Principal | 61 |
| 8' | Grosse Flûte I-II | 122 |
| 8' | Flûte à Cheminée | 61 |
| 8' | Violoncelle | 61 |
| 4' | Prestant | 61 |
| 4' | Flûte | 61 |
| 2' | Doublette | 61 |
| IV-VIII | Grande Fourniture | 366 |
| IV-V | Plein-Jeu | 305 |
| II | Sesquialtera | 122 |
| II-V | Grand Cornet | 305 |
| 16' | Bombarde | 61 |
| 8' | Trompette | 61 |
| 4' | Clairon | 61 |
| 8' | Positif to Grand-Orgue | |
| 8' | Récit Expressif to Grand-Orgue | |
| 8' | Grand-Chœur to Grand-Orgue | |
| 8' | Solo to Grand-Orgue | |
| 8' | Solo to Grand-Orgue | |
| 8' | Grand-Chœur to Grand-Orgue | |
| 16' | Grand-Orgue to Grand-Orgue |
| Positif (I)🛈 | ||
| 16' | Quintaton | 61 |
| 8' | Montre | 61 |
| 8' | Bourdon | 61 |
| 8' | Salicional | 61 |
| 8' | Unda-Maris | 61 |
| 4' | Prestant | 61 |
| 4' | Flûte à Fuseau | 61 |
| 2 2⁄3' | Nasard | 61 |
| 2' | Doublette | 61 |
| 1 3⁄5' | Tierce | 61 |
| 1 1⁄3' | Larigot | 61 |
| 1 1⁄7' | Septième | 61 |
| V | Fourniture | 305 |
| II | Cymbale | 122 |
| 16' | Douçaine | 61 |
| 8' | Cromorne | 61 |
| 8' | Trompette | 61 |
| 4' | Clairon | 61 |
| Tremblant | ||
| 8' | Récit Expressif to Positif | |
| 8' | Grand-Chœur to Positif | |
| 8' | Solo to Positif |
| Récit Expressif (III - Expressive)🛈 | ||
| 16' | Flûte à Cheminée | 61 |
| 8' | Principal | 61 |
| 8' | Cor de Nuit | 61 |
| 8' | Flûte Traversière | 61 |
| 8' | Viole de Gambe | 61 |
| 8' | Voix Céleste | 61 |
| 4' | Octave | 61 |
| 4' | Flûte Octaviante | 61 |
| 2' | Octavin | 61 |
| III | Carillon | 183 |
| VI | Plein-Jeu | 366 |
| 32' | Contrebasson | 61 |
| 16' | Bombarde | 61 |
| 8' | Trompette Harmonique | 61 |
| 8' | Basson-Hautbois | 61 |
| 8' | Voix-Humaine | 61 |
| 4' | Clairon Harmonique | 61 |
| Tremblant | ||
| 8' | Positif to Récit Expressif | |
| 8' | Grand-Chœur to Récit Expressif | |
| 8' | Solo to Récit Expressif | |
| 16' | Récit Expressif to Récit Expressif |
| Grand-Chœur (IV)🛈 | ||
| 16' | Violonbasse | 61 |
| 16' | Bourdon | 61 |
| 8' | Diapason | 61 |
| 8' | Flûte Majeure | 61 |
| 8' | Violon | 61 |
| 5 1⁄3' | Grande Quinte | 61 |
| 4' | Principal | 61 |
| 4' | Flûte Conique | 61 |
| 3 1⁄5' | Grande Tierce | 61 |
| 2 2⁄3' | Quinte | 61 |
| 2 2⁄7' | Grande Septième | 61 |
| 2' | Fifre | 61 |
| 1 7⁄9' | Grande Neuvième | 61 |
| II-VIII | Plein-Jeu | 305 |
| 16' | Clarinette | 61 |
| 16' | Tuba Magna | 61 |
| 8' | Cor de Basset | 61 |
| 8' | Tuba Mirabilis | 61 |
| 4' | Cor Harmonique | 61 |
| 8' | Solo to Grand-Chœur | |
| 16' | Grand-Chœur to Grand-Chœur |
| Solo (V)🛈 | ||
| 8' | Flûte Harmonique | 61 |
| 8' | Flûte Octaviante | 61 |
| 2 2⁄3' | Nasard Harmonique | 61 |
| 2' | Octavin | 61 |
| 1 3⁄5' | Tierce Harmonique | 61 |
| 1' | Piccolo Harmonique | 61 |
| III | Harmoniques | 183 |
| 16' | Ranquette | 61 |
| 8' | Chalumeau | 61 |
| I-III | Trompette en Chamade | 122 |
| II | Trompeteria | 122 |
| Tremblant | ||
| 16' | Solo to Solo |
| Pédale🛈 | ||
| 32' | Principal-Basse | 32 |
| 16' | Contrebasse | 32 |
| 16' | Flûte | 32 |
| 16' | Soubasse | 32 |
| 10 2⁄3' | Grande Quinte | 32 |
| 8' | Flûte | 32 |
| 8' | Violoncelle | 32 |
| 6 2⁄5' | Grande Tierce | 32 |
| 5 1⁄3' | Quinte | 61 |
| 4' | Flûte | 32 |
| 2' | Flûte | 32 |
| II | Théorbe | 64 |
| V | Mixture | 160 |
| 32' | Contre Bombarde | 32 |
| 32' | Contre Trombone | 32 |
| 16' | Bombarde | 32 |
| 16' | Basson | 32 |
| 8' | Trompette | 32 |
| 8' | Baryton | 32 |
| 4' | Clairon | 32 |
| 8' | Grand-Chœur to Pédale | |
| 8' | Récit Expressif to Pédale | |
| 8' | Grand-Orgue to Pédale | |
| 8' | Positif to Pédale | |
| 8' | Solo to Pédale | |
| 4' | Récit Expressif to Pédale | |
| 4' | Grand-Chœur to Pédale | |
| 4' | Grand-Chœur to Pédale |
Verified at inventaire-des-orgues.fr
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Something missing?Add Console
From Organs of Paris website:
The case was designed by Balthard (from Les Halles). It was rebuilt in 1879 by Joseph Merklin and renovated at the request of organist Joseph Bonnet during the 1920s and 1930s.
Repair works initiated in 1978 were disastrous and a complete organ rebuilt was necessary. Only the case with its display pipes and a few stops which were re-used, amongst them the Cor de Basset 8' made by the famous English organ builder Henry Willis for Joseph Bonnet - organist of Saint Eustache from 1906 to 1943.In 2010, the electronics were replaced with a state-of-the-art bus-technology system. At the movable nave console additional couplers were installed (Grand-Choeur/Positif, Solo/Positif en Grand-Choeur/Récit). Also several special melody couplers were added: Soprano Grand-Choeur/Pédale, Soprano Récit/Pédale en Basse Grand-Choeur/Pédale. A programmable pedal divide enhances the soloistic possibilities of the pedal. A MIDI recording and playback system was added. A comprehensive restoration project is being prepared.
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