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| Great (I - Expressive)🛈 | ||
| 8' | Open Diapason | 61 |
| 8' | Melodia | 61 |
| 8' | Dulciana | 61 |
| 4' | Octave | 61 |
| 4' | Flute🛈 | 12 |
| Chimes | ||
| 16' | Great to Great | |
| Great Unison Off | ||
| 4' | Great to Great | |
| 16' | Swell to Great | |
| 8' | Swell to Great | |
| 4' | Swell to Great |
| Swell (II - Expressive)🛈 | ||
| 16' | Bourdon🛈 | 12 |
| 8' | Violin Diapason | 61 |
| 8' | Stopped Flute🛈 | 61 |
| 8' | Salicional | 61 |
| 8' | Vox Celeste, T.C. | 49 |
| 4' | Flute D'Amour🛈 | 12 |
| 2 2⁄3' | Nazard🛈 | 7 |
| 2' | Piccolo🛈 | 5 |
| 8' | Vox Humana | 61 |
| Tremolo | ||
| Harp🛈 | ||
| 16' | Swell to Swell | |
| Swell Unison Off | ||
| 4' | Swell to Swell |
| Pedal (Expressive)🛈 | ||
| 16' | Bourdon | SW |
| 8' | Flute | SW |
| 8' | Great to Pedal | |
| 8' | Swell to Pedal |
Originally Written/Published: 1936 in the Dedication Recital Bulletin (a copy of which I'm trying to locate for submission; Jack Umholtz 2026-01-16)
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St. Peter's Lutheran Church was my wife's church. When dating her in 1985, she took me to the church and I spent an hour or so playing this organ and exploring the tonal resources. After marrying, I played this instrument for my brother-in-law's wedding ceremony.
The console was a beautiful small 2 manual horseshoe console and was fully enclosed in a single, stone chamber with facade pipes over in front of the swell shades. Access to the chamber was through what had been an altar window before the stone chamber was constructed.
Related Instrument Entries: Paul Fritzsche (Organ Co.) (1994)
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