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| Great (I)🛈 | ||
| 8' | Open Diapason | 58 |
| 8' | Dulciana🛈 | 46 |
| 8' | Stopped Diapason Bass🛈 | 12 |
| 8' | Melodia | 46 |
| 4' | Principal | 58 |
| 4' | Flute Harmonique | 58 |
| 2' | Fifteenth | 58 |
| 8' | Swell to Great |
| Swell (II - Expressive)🛈 | ||
| [?]' | Bourdon🛈 | 58 |
| 8' | Violin Diapason🛈 | 46 |
| 8' | Salicional🛈 | 46 |
| 8' | Stopped Diapason Bass🛈 | 12 |
| 8' | Stopped Diapason Treble🛈 | 46 |
| 8' | Spitzflute🛈 | 58 |
| 8' | Celeste | 46 |
| Tremolo🛈 |
| Pedal🛈 | ||
| 16' | Subbass🛈 | 25 |
| 8' | Great to Pedal | |
| 8' | Swell to Pedal |
Bellows Signal. Couplers and Pedal stops unoriginal engraving and knobs: appear to be reed organ style black knobs with sans serif block type (original knobs natural with script engraving). Two combination trundles, unmarked. Pitches not marked on stop knobs, those given are according to knob order and standard use.
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In 1906 the organ was moved to the New Jerusalem Society’s new building at Sandusky and Pearl (later Parkhurst) streets, about a mile further inland from the frequently flooding Allegheny River.
Related Instrument Entries: John Roberts (1874) , Harry J. Ebert (Organ Co.) (1986)
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