Stoplist Details: C. B. Fisk, Inc. - Opus 112, 1998 | St. James Episcopal Church - Richmond, VA, US

C. B. Fisk, Inc. (Opus 112, 1998)

St. James Episcopal Church (Sanctuary)

Richmond, VA, US

	Great (I)🛈 Position: In a Gallery-Level Case at the Rear of the Room Chest Action: Slider With Mechanical Pull-Downs Stop Action: Pneumatic (Electro Pneumatic)
16'	Prestant	61
8'	Octave	61
8'	Violoncelle🛈 Notes: The Great Violoncelle 8’ was inspired by Cavaille-Coll and has brass freins harmonique style beards.	61
8'	Spillpfeife🛈 Notes: The Great and Pedal Spillpfeife 8’ was modeled on the same stop as in Friedrich Stellwagen’s 1636 organ at the Jakobikirche in Lübeck, Germany.	61
8'	Flûte harmonique🛈 Notes: The Great Harmonique flute 8’ shares its bass with the Spillpfeife and has tapered pipes at the transition to the harmonic range at f1 (note no. 30).	32 ext. SF
4'	Octave	61
4'	Flute🛈 Notes: The Great Flute 4’ is based on an Antegnati instrument from about 1588 in Brescia.	61
2 ²⁄₃'	Quinte🛈 Notes: The Great mutations (Sesquiatera) are German-scaled (narrow) and the same as the Principal chorus for blend in the Chorus.	61
2'	Doublette	61
1 ³⁄₅'	Tierce🛈 Notes: The Great mutations (Sesquiatera) are German-scaled (narrow) and the same as the Principal chorus for blend in the Chorus.	61
IV-VI	Mixture🛈 Notes: The Great VI rank Mixture includes a 5-1/3’ principal rank that comes on if both the Prestant 16’ and the Mixture are pulled on together to complete the harmonic series in the 16’ Plenum. It is all 98% hammered lead in the pre-Schnitger style with certain ranks doubled for tuning stability.	294
V	Cornet (mounted)🛈 Notes: The Great mounted Cornet V is comprised of all wide-scale open flutes (except the 8’ Gedackt) in the French Classical tradition and runs from Go (note 20) to g3. The metal is HaLead.	175
16'	Bombarde🛈 Notes: The Great and Swell Bombardes, Trompettes, and Clairons are built with high Tin content and have 6/7 cut Bertouneche shallots in the style of Cavaille-Coll.	61
8'	Trompette🛈 Notes: The Great and Swell Bombardes, Trompettes, and Clairons are built with high Tin content and have 6/7 cut Bertouneche shallots in the style of Cavaille-Coll.	61
8'	Trommeten🛈 Notes: The Great and Pedal Trommeten 8’ construction was inspired by Brunner’s organ in Tellingstedt from 1642 and was first used in the Fisk organ at Wellesley College in 1972.	61
4'	Clairon🛈 Notes: The Great and Swell Bombardes, Trompettes, and Clairons are built with high Tin content and have 6/7 cut Bertouneche shallots in the style of Cavaille-Coll. The Great Clairon 4’ reprises at f#2 (note no. 43).	61

8'	Positive to Great
8'	Swell to Great
	Octaves graves 16' Great to Great

	Positive (II - Expressive)🛈 Position: In a Gallery-Level Case at the Rear of the Room Chest Action: Slider With Mechanical Pull-Downs Stop Action: Electric Notes: At Impost level
16'	Violone	61
8'	Principal	61
8'	Salicional	61
8'	Unda maris (tc)🛈 Notes: The Positive Unda maris (t.c.) is scaled between the Positive Principal 8’ and the Salicional 8’ and is intended to be used with either stop and is tuned flat.	49
8'	Bourdon	61
4'	Octave	61
4'	Rohrflöte	61
2 ²⁄₃'	Nasard🛈 Notes: The Positive mutations are French-scaled (wide/flute) and make-up the Cornet de compose.	61
2'	Doublette🛈 Notes: The Positive mutations are French-scaled (wide/flute) and make-up the Cornet de compose.	61
2'	Quarte de Nasard🛈 Notes: The Positive mutations are French-scaled (wide/flute) and make-up the Cornet de compose.	PF
1 ³⁄₅'	Tierce🛈 Notes: The Positive mutations are French-scaled (wide/flute) and make-up the Cornet de compose.	61
IV	Mixture🛈 Notes: HaSpot	237
16'	Cor Anglais🛈 Notes: The Positive Cor anglais 16’ is similar to the one on Fisk Opus 109 at Rice University first developed for the Rice organ.	61
8'	Basson🛈 Notes: The Positive Basson 8’ has C-C Taille II French teardrop shallots.	61
8'	Cromorne🛈 Notes: The Positive Cromorne 8’ has Dom Bedos #2 resonators but with C-C Taille II French teardrop (à larme) shallots.	61
	Clochettes	4 bells

8'	Swell to Positive

	Swell (III - Expressive)🛈 Position: In a Gallery-Level Case at the Rear of the Room Chest Action: Slider With Mechanical Pull-Downs Stop Action: Electric Notes: At Impost level
16'	Bourdon	61
8'	Viole de gambe🛈 Notes: The Swell Viole de gambe 8ʹ and Voix céleste 8’ are of much smaller scale than the Positive céleste with the céleste tuned sharp.	61
8'	Viole céleste 🛈 Notes: The Swell Viole de gambe 8ʹ and Voix céleste 8’ are of much smaller scale than the Positive céleste with the céleste tuned sharp.	49
8'	Flûte traversière 8ʹ	61
8'	Cor de Nuit	PF
4'	Prestant	61
4'	Flûte octaviante	61
2'	Octavin	61
IV	Plein jeu🛈 Notes: The Swell IV rank Plein jeu is a normal breaking-mixture made up of hammered tin pipes and has a 2’ rank throughout the compass from low CC. (HaTin)	244
16'	Basson🛈 Notes: The Great and Swell Bombardes, Trompettes, and Clairons are built with high Tin content and have 6/7 cut Bertouneche shallots in the style of Cavaille-Coll.	61
8'	Trompette🛈 Notes: The Great and Swell Bombardes, Trompettes, and Clairons are built with high Tin content and have 6/7 cut Bertouneche shallots in the style of Cavaille-Coll.	61
8'	Hautbois🛈 Notes: The Hautbois 8’ is scaled like a Cavaille-Coll Taille 2 with 7/8ths “teardrop” and Bertouneche shallots.	61
8'	Voix humaine	61
4'	Clairon🛈 Notes: The Great and Swell Bombardes, Trompettes, and Clairons are built with high Tin content and have 6/7 cut Bertouneche shallots in the style of Cavaille-Coll.	61

	Pedal🛈 Position: In a Gallery-Level Case at the Rear of the Room Chest Action: Slider With Mechanical Pull-Downs Stop Action: Electric
32'	Bourdon	12 ext.
16'	Contrebasse	32
16'	Prestant	GT
16'	Violone	POS
16'	Bourdon	SW
10 ²⁄₃'	Quinte🛈 Notes: The Pedal Quint 10-2/3’ by default plays the Bourdon 16’ at the unison and 5 th but will also play any other 16’ flue in the Pedal at the 5 th that is drawn via the SSOS control system.
8'	Octave	32
8'	Violoncelle	GT
8'	Spillpfeife 🛈 Notes: The Great and Pedal Spillpfeife 8’ was modeled on the same stop as in Friedrich Stellwagen’s 1636 organ at the Jakobikirche in Lübeck, Germany.	GT
4'	Superoctave	32
IV	Mixture	PF
32'	Contre Bombarde🛈 Notes: The Pedal Contre Bombarde 32’ is an extension of the Great and Pedal 16’ Bombarde and has full-length mitered Poplar wooden resonators in the bottom octave and is located at the back wall of the organ chamber at floor level.	12 ext.
16'	Bombarde	GT
16'	Posaune🛈 Notes: The lowest octave of the Posaune 16’ is of Schnitger style with wooden resonators and lead- faced brass shallots. The remainder are 98% hammered lead metal resonators.	32
8'	Trompette	GT
8'	Trommeten	GT
4'	Clairon	GT

8'	Great to Pedal
8'	Positive to Pedal
4'	Positive to Pedal
8'	Swell to Pedal

	Other🛈 Position: In a Gallery-Level Case at the Rear of the Room Chest Action: Other Stop Action: Other
	Machine On (Servopneumatic Lever)
	Great Ventil
	Flexible Wind
	2 Tremulants (fast & slow)
	Balanced Swell and Positive Pedals
	Crescendo Pedal
	Pedal Reversibles
	Temperament: Fisk 2 (1995)
	Wind Pressures: 3-3/8" and 5"
	512 levels of memory & sequencer