Stoplist Details: Austin Organs, Inc. - Opus 1594, 1975 | Mt. Lebanon Presbyterian Church - Pittsburgh (Mt. Lebanon), PA, US

	Great (II) Position: Pipes Exposed (in Whole or in Part) at the Front of the Room Chest Action: Austin Universal Air Stop Action: Electric Notes: 4 ranks expressive in Choir
16'	Quintaten [in Ch] Notes: expressive in Choir
8'	Principal
8'	Flute Harmonique
8'	Gemshorn [in Ch] Notes: expressive in Choir
8'	Gemshorn Celeste [in Ch] Notes: expressive in Choir
4'	Octave
4'	Quintaten [in Ch] Notes: expressive in Choir
2⅔'	Twelfth
2'	Fifteenth
IV	Fourniture
8'	Trompette [in Ch] Notes: expressive in Choir
	Tremulant
	Chimes
	Harp

	Great 16 16' Great to Great
	Unison Off Great Unison Off
	Great 4 4' Great to Great
	Swell to Great 16 16' Swell to Great
	Swell to Great 8' Swell to Great
	Swell to Great 4 4' Swell to Great
	Choir to Great 16 16' Choir to Great
	Choir to Great 8' Choir to Great
	Choir to Great 4 4' Choir to Great
	Antiph to Great 8' Antiphonal to Great
	Antiph to Great 4 4' Antiphonal to Great
	Positiv to Great 8' Positiv to Great

	Swell (III - Expressive) Position: In Side Chambers at the Front of the Room. No Visible Pipes Chest Action: Austin Universal Air Stop Action: Electric
16'	Gedeckt
8'	Principal
8'	Salicional
8'	Voix Celeste
8'	Gedeckt
8'	Flauto Dolce
4'	Principal
4'	Flauto Traverso
2⅔'	Nazard
2'	Flageolet
III	Plein Jeu
16'	Contra Fagot
8'	Trompete
8'	Oboe
8'	Vox Humana
4'	Clairon
	Tremulant

	Swell 16 16' Swell to Swell
	Unison Off Swell Unison Off
	Swell 4 4' Swell to Swell
	Antiph to Swell 8' Antiphonal to Swell
	Antiph to Swell 4 4' Antiphonal to Swell
	Positiv to Swell 8' Positiv to Swell

	Choir (I - Expressive) Position: In Side Chambers at the Front of the Room. No Visible Pipes Chest Action: Austin Universal Air Stop Action: Electric
8'	Principal
8'	Concert Flute
8'	Flute Celeste
8'	Dulciana
8'	Unda Maris
4'	Rohrflöte
2'	Piccolo
II	Tertian
8'	Clarinet
	Tremulant

	Choir 16 16' Choir to Choir
	Unison Off Choir Unison Off
	Choir 4 4' Choir to Choir
	Swell to Choir 16 16' Swell to Choir
	Swell to Choir 8' Swell to Choir
	Swell to Choir 4 4' Swell to Choir
	Antiph to Choir 8' Antiphonal to Choir
	Antiph to Choir 4 4' Antiphonal to Choir
	Positiv to Choir 8' Positiv to Choir

	Positiv (IV) Position: Pipes Exposed (in Whole or in Part) at the Front of the Room Chest Action: Austin Universal Air Stop Action: Electric
8'	Holz Gedeckt
4'	Prestant
4'	Koppelflöte
2'	Oktav
1⅓'	Quintflöte
II	Sesquialtera
III	Cymbale
8'	Krummhorn
	Tremulant
	Zimbelstern

	Antiphonal (IV) Position: In Gallery-Level Chambers at the Rear of the Room Chest Action: Austin Universal Air Stop Action: Electric
8'	Geigen Principal
8'	Melodia
8'	Viole d'Amour
8'	Vox Angelica
4'	Octave
4'	Waldflöte
2'	Fifteenth
8'	Trumpet
	Tremulant

	Swell to Antiph 8' Swell to Antiphonal
	Swell to Antiph 4 4' Swell to Antiphonal
	Positiv to Antiph 8' Positiv to Antiphonal

	Antiphonal Pedal (Expressive) Position: In Gallery-Level Chambers at the Rear of the Room Chest Action: Electro Pneumatic (Unit) Stop Action: Electric
16'	Bourdon
8'	Bourdon

	Pedal Position: Pipes Exposed (in Whole or in Part) at the Front of the Room Chest Action: Austin Universal Air Stop Action: Electric
32'	Bourdon	DIG
16'	Principal
16'	Subbass
16'	Quintaten	GT
16'	Gedeckt	SW
8'	Octave
8'	Principal
8'	Bourdon
8'	Quintaten	GT
8'	Gedeckt	SW
4'	Choral Bass
4'	Quintaten	GT
III	Mixture
32'	Bombarde	DIG
16'	Trombone	GT
16'	Fagot	SW
8'	Trompette	GT
8'	Fagot	SW
4'	Fagot

	Swell to Pedal 8' Swell to Pedal
	Swell to Pedal 4 4' Swell to Pedal
	Great to Pedal 8' Great to Pedal
	Great to Pedal 4 4' Great to Pedal
	Choir to Pedal 8' Choir to Pedal
	Choir to Pedal 4 4' Choir to Pedal
	Antiph to Pedal ' Antiphonal to Pedal
	Antiph to Pedal 4 4' Antiphonal to Pedal
	Positiv to Pedal 8' Positiv to Pedal