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| Great (II) | ||
| 16' | Quintaten [in Ch] | |
| 8' | Principal | |
| 8' | Flute Harmonique | |
| 8' | Gemshorn [in Ch] | |
| 8' | Gemshorn Celeste [in Ch] | |
| 4' | Octave | |
| 4' | Quintaten [in Ch] | |
| 2⅔' | Twelfth | |
| 2' | Fifteenth | |
| IV | Fourniture | |
| 8' | Trompette [in Ch] | |
| Tremulant | ||
| Chimes | ||
| Harp | ||
| Great 16 | ||
| Unison Off | ||
| Great 4 | ||
| Swell to Great 16 | ||
| Swell to Great | ||
| Swell to Great 4 | ||
| Choir to Great 16 | ||
| Choir to Great | ||
| Choir to Great 4 | ||
| Antiph to Great | ||
| Antiph to Great 4 | ||
| Positiv to Great |
| Swell (III - Expressive) | ||
| 16' | Gedeckt | |
| 8' | Principal | |
| 8' | Salicional | |
| 8' | Voix Celeste | |
| 8' | Gedeckt | |
| 8' | Flauto Dolce | |
| 4' | Principal | |
| 4' | Flauto Traverso | |
| 2⅔' | Nazard | |
| 2' | Flageolet | |
| III | Plein Jeu | |
| 16' | Contra Fagot | |
| 8' | Trompete | |
| 8' | Oboe | |
| 8' | Vox Humana | |
| 4' | Clairon | |
| Tremulant | ||
| Swell 16 | ||
| Unison Off | ||
| Swell 4 | ||
| Antiph to Swell | ||
| Antiph to Swell 4 | ||
| Positiv to Swell |
| Choir (I - Expressive) | ||
| 8' | Principal | |
| 8' | Concert Flute | |
| 8' | Flute Celeste | |
| 8' | Dulciana | |
| 8' | Unda Maris | |
| 4' | Rohrflöte | |
| 2' | Piccolo | |
| II | Tertian | |
| 8' | Clarinet | |
| Tremulant | ||
| Choir 16 | ||
| Unison Off | ||
| Choir 4 | ||
| Swell to Choir 16 | ||
| Swell to Choir | ||
| Swell to Choir 4 | ||
| Antiph to Choir | ||
| Antiph to Choir 4 | ||
| Positiv to Choir |
| Positiv (IV) | ||
| 8' | Holz Gedeckt | |
| 4' | Prestant | |
| 4' | Koppelflöte | |
| 2' | Oktav | |
| 1⅓' | Quintflöte | |
| II | Sesquialtera | |
| III | Cymbale | |
| 8' | Krummhorn | |
| Tremulant | ||
| Zimbelstern |
| Antiphonal (IV) | ||
| 8' | Geigen Principal | |
| 8' | Melodia | |
| 8' | Viole d'Amour | |
| 8' | Vox Angelica | |
| 4' | Octave | |
| 4' | Waldflöte | |
| 2' | Fifteenth | |
| 8' | Trumpet | |
| Tremulant | ||
| Swell to Antiph | ||
| Swell to Antiph 4 | ||
| Positiv to Antiph |
| Antiphonal Pedal (Expressive) | ||
| 16' | Bourdon | |
| 8' | Bourdon |
| Pedal | ||
| 32' | Bourdon | DIG |
| 16' | Principal | |
| 16' | Subbass | |
| 16' | Quintaten | GT |
| 16' | Gedeckt | SW |
| 8' | Octave | |
| 8' | Principal | |
| 8' | Bourdon | |
| 8' | Quintaten | GT |
| 8' | Gedeckt | SW |
| 4' | Choral Bass | |
| 4' | Quintaten | GT |
| III | Mixture | |
| 32' | Bombarde | DIG |
| 16' | Trombone | GT |
| 16' | Fagot | SW |
| 8' | Trompette | GT |
| 8' | Fagot | SW |
| 4' | Fagot | |
| Swell to Pedal | ||
| Swell to Pedal 4 | ||
| Great to Pedal | ||
| Great to Pedal 4 | ||
| Choir to Pedal | ||
| Choir to Pedal 4 | ||
| Antiph to Pedal | ||
| Antiph to Pedal 4 | ||
| Positiv to Pedal |
FINGER PISTONS: General 1-12, Swell 1-8, Sw Ped (rev), Sw Gt (rev), Sw Ch (rev), Great 1-8, Gt Ped (rev), Choir 1-8 Ch Ped (rev), Ch Gt (rev); Positiv 1-4, Pos Ped (rev), Antiphonal 1-4, Ant Ped (rev), Gt-Ch Tsfr (rev), Tutti (rev), Set, Gen Can; TOE STUDS: General 1-12, Pedal 1-8, Other Undocumented (8), Tutti (rev); PEDAL MOVEMENTS: Antiphonal Expression (bal.), Choir Expression (bal.), Swell Expression (bal.), Crescendo (bal.). [Originally received from Joseph Tuttle 2015-07-29.]
Originally Written/Published: August 5, 2022
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The entire antiphonal organ and the flutes at 8' and 4' in the Positiv are currently disconnected due to the pending restoration. The 32' digital additions in the pedal are also disconnected.
The Positiv is located in the center of the chancel in a chamber below the rose window. The Great and Choir are situated in the chamber to the right of the console and the Swell is in the left-hand chamber. The Pedal division is split among both sides of the chancel with much borrowing from other divisions.
This entry describes alterations to an existing organ. Identified by Jeff Scofield, using information found in The Diapason.
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Related Instrument Entries: Austin Organ Co. (Opus 1594, 1929)
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