IMAGES

Category:
Only show images in a specific category ☝️

Something missing or not quite correct?Add ImageorSuggest an Edit

STOPLISTS

No stoplist details are available. If you have stoplists, please consider sharing them with us.

Something missing?Add Stoplist

CONSOLES

Selected Item:
View additional console entries if they exist ☝️

Builder: Unknown
Position: Console in Fixed Position, Center
Design: Traditional With Roll Top
Pedalboard Type: Concave Radiating (Details Unknown)
Features:
3 Manuals (61 Notes)30 Note Pedal4 Divisions27 Stops28 RegistersTubular Pneumatic (Unknown) Key ActionTubular Pneumatic (Unknown) Stop Action✓ Crescendo✓ Combination Thumb Piston(s)✓ Coupler Toe Piston(s)

Stop Layout: Drawknobs in Horizontal Rows on Terraced/Stepped Jambs
Expression Type: Balanced Expression Shoes/Pedals (Details Unknown)
Combination Action: Adjustable Combination Pistons
Control System: Unknown or N/A

Something missing or not quite correct?Add ConsoleorSuggest an Edit

DETAILS

Switch between notes, documents, audio, and blowers ☝️
This instrument is: Extant and Playable in this location

Database Manager on May 7th, 2007:

Identified through online information from James R. Stettner. -- The organ was in a front gallery. It was free-standing and encased with a seven-sectional facade containng 43 pipes arranged: 7-5-7-5-7-5-7. The outer flats of seven were pipes of the Pedal 16' Double Open [wood]. These led to two tall flats of five pipes each from the Great 16' Open Diapason. Leading inward were a flat of seven pipes on each side with a final central tower of five pipes in the center. The central flats and tower contained pipes from the Great 16' and 8' Open Diapasons. The console had drawknobs in terraces on both sides, and what looked like German "Freie Kombination" above the drawknobs...but above the level of the Swell manual. The couplers were all located on rocking tablets over the Swell manual. The music rack featured a lyre in the center of it. The organ survived intact until 1946 when it was electrified by Balcom and Vaughan of Seattle. But it was left tonally unaltered with original pipes and chests.

Related Instrument Entries: Balcom and Vaughan (Opus 433, 1946)

Something missing or not quite correct?Add NoteorAdd WebpageorAdd Cross ReferenceorSuggest an Edit

Pipe Organ Database

A project of the Organ Historical Society