Something not quite correct?Suggest an Edit
Something missing or not quite correct?Add ImageorSuggest an Edit
| Great (I) | ||
| 8' | Open Diapason | 61 |
| 8' | Dulciana | 61 |
| 8' | Melodia🛈 | 61 |
| 4' | Octave | 61 |
| 8' | Swell to Great | |
| 4' | Swell to Great |
| Swell (II - Expressive) | ||
| 16' | Bourdon Bass & Treble🛈 | 61 |
| 8' | Violin Diapason | 61 |
| 8' | Salicional | 61 |
| 8' | Stopped Diapason🛈 | 61 |
| 4' | Flute Harmonic | 61 |
| 8' | Oboe | 49 |
| Pedal | ||
| 16' | Bourdon🛈 | 30 |
| 8' | Great to Pedal | |
| 8' | Swell to Pedal |
Great Forte & Piano pistons (adjustable); Swell Forte & Piano pistons (adjustable); Great to Pedal reversible; Balanced Swell pedal; Bellows signal; Wind indicator; Tremolo
Originally Written/Published: September 17, 1907
Something missing or not quite correct?Add StoplistorSuggest an Edit
Something missing or not quite correct?Add ConsoleorSuggest an Edit
From current photos, it appears that the facade from the Estey may remain, what pipework, unknown. There is a modern draw-knob console in place.
According to the Carnegie Corporation files, installed at a cost of $1,500, half of which was paid by Andrew Carnegie. Opening recital held on September 17, 1907, with Reginald McAll, Organist of Church of the Covenant, New York, as recitalist.
Identified by James R. Stettner through information from the Estey Opus List, published in The Boston Organ Club newsletter, 1973-1979.
Something missing or not quite correct?Add NoteorAdd WebpageorAdd Cross ReferenceorSuggest an Edit